look down to see it spilling out, darkening the comforter, and in that moment he grabs my arms and throws me hard against the outside door. He canât see, though. He canât finish. I fling the door open and run out into the night. He stumbles after me. I come across the side of the house, to the front yard, the headlights of passing cars momentarily lighting the lawn before it returns to darkness, a strobe light in slow motion. I start hollering. The front door opens and my mother and brothers look around for the source of the noise in the darkness. And then there we are, squared up in the passing headlights. His drunkenness cancels out his weight advantage and years of combat training. He lunges at me and I jump out of the way, turn and kick him in the ass as hard as I can. He goes down and then itâs just like skinhead Dave told me. Once you get a motherfucker down, you make sure he stays down. You kick him until he doesnât move.
I kick Victor hard in the ribs, hear the wind rush out of him.Then I take my boot to his face a few times for good measure. He doesnât move anymore after that.
Should I relish these moments? Probably not. But I do. I canât stop kicking him. Iâm dancing like Ali and destroying like Tyson. And thereâs so much to kick, the fat bastard. Heâs worthless and bloody and heaving. He never asks me to stop, though. He doesnât beg. And soon Iâm tired of kicking him and I can hear Aaron and Adam crying and theyâre hiding their faces in my motherâs dress. I look over at Jonas and heâs clearly invigorated. I smile, bend over to catch my breath, hands on knees. Victor is moaning.
I grab my suitcase, still packed, and my duffel bag filled with tapes and CDs, shoving my copy of Black Boy in at the last second. When I leave for the gas station to call Trizden, Iâm so proud Iâm beaming. I am born again.
TRANSMISSION 09:
friends lend each other helping hands
November
I couldnât hack it in school anymore, dropped out with less than a semester to go after promising my mother Iâd eventually take the G.E.D. For now, Iâve embarked on a career in telemarketing. Flick got me the job. We sell credit cards over the phone to college students who donât know any better. It sounds like free money to them and itâs a totally easy sell.
I go to work for monotonous eight-hour days, come back to Animal Motherâs and smoke up, drink a few rum and cokes. Itâs an ongoing cycle of working and self-medicating after work. But thereâs still the excitement of girls and the possibility of getting laid. That makes it all worthwhile. And going to shows.
I always go to concerts with Trizden. Heâs one of those guys whose life aspiration is to stay on top of the newest music. He alwaysknows more about every band than you could ever know, and six months before you know it, at that. This kind of shit is intuitive to him or something, because no matter what band you think you know about first, no matter how early you think you get in on the ground floor of liking some group, Trizden has been there first. And yet, despite this, he somehow always gets laid. Women couldnât give a good goddam about music, Iâve found. Most of âem only care about Led Zeppelin, dance music (but only if youâre listening to the dance music in a club), and the newest pop hits played ad infinitum on the radio. So the fact that he knows that Big Blackâs Songs About Fucking is a seminal post-punk record made by the guy that produced Nirvanaâs In Utero is little inducement in getting women to like him. But see, thatâs the key to staying cool. You have your elitist snobbery and all, make fun of the underlings who think they know something about something when they really know shit about shit, but you donât ever extend those same standards to the girls youâre interested in. Youâll almost always be disappointed,
Fuyumi Ono
Tailley (MC 6)
Robert Graysmith
Rich Restucci
Chris Fox
James Sallis
John Harris
Robin Jones Gunn
Linda Lael Miller
Nancy Springer