sorting and reading.
From Alexâs story I learned that the Countess GalinaBalenskaya had been married to a Count, a minister in the last cabinet of Tsar Nicholas II. So she wasnât, as Alex had supposed before our interview, related to the Romanovs. She had fled Russia in 1919 ahead of the Red Army, going first to Finland to await her husband. The Count, unfortunately, did not survive, and some weeks later his widow came to Canada.
The Countessâ brother, Dimitri Mordkin, had already come to this country with a group of Russian workers and now worked in a mine in northern Ontario. He arranged for his widowed sister to work as a cook at the mine. Eventually, the Countess ended up living in a boarding house in Pinkney Corners, the same one she operated herself in later years.
The focus of Alexâs story was on the womanâs philanthropic work. She worked tirelessly to better the cultural lives of the citizens of Pinkney Corners, arranging for touring artists and performers to visit the town. That wouldnât have been my focus had I been doing the interview, but it appeared from many of the clippings that Alex, at that time, was writing a series on people who had contributed to Pinkney Cornersâ society.
Inspired by the sheer volume of Alexâs writing and knowing this was only a portion of her creative output, I spent the rest of the weekend writing myself. When Sunday night came, I had another finished article for Mr. Thomas.
I biked to town a half-hour early, through a grey morning with rain in the air. Mr. Thomas was just getting out of his station wagon in front of the newspaper office. His wife Marjory had come with himto do her monthly cleaning. I helped her lift her pail and mops out of the back seat.
âAnd if she doesnât do a good job,â Mr. Thomas said, unlocking the door and winking at me over his shoulder, âI told her I had someone else who wanted the position.â Marjory gave me an amused look.
Marjory Thomas had a stout figure and a ruddy complexion. Her close-cropped hair was thin and wispy, but the hug she gave me was strong and warm. âLibby, so nice to see you,â she said. âI think of you so much.â
We went inside together and Mr. Thomas flicked on the lights. Marjory took her supplies through to the washroom and began to run some water, while I hung around, hoping her husband and I could talk. âDid you like the piece I wrote about life with Alex?â I asked.
âI did,â said William Thomas, tossing his keys into a drawer of the desk.
âWould you like to use it in the paper?â
âWell, itâs like this, Libby,â he explained. âItâs a bit too personal. I have to print stories that will appeal to the majority of my readers.â
âOh,â I said, disappointed. âYou did say your readers loved my mother.â
âThey loved her style of writing, Libby. Now, Iâm not saying there isnât a market for that kind of sentimental story. Itâs just not what we print in a weekly.â
âBut you keep trying,â Marjory encouraged, smiling from the doorway, where she was drying her hands. âWilliam told me you want to be a writer.â
âOh, I donât give up that easily,â I promised, thinking of Alexâs many rejections.
âGood for you,â said Marjory.
âI have another article this morning, as a matter of fact.â I slipped my sheets of paper onto the pile already on the desk. âOver the weekend I was reading some of the columns Alex wrote.â Mr. Thomas was patting his pockets in search of something. âDo you remember her writing a story about the Russian Countess, the woman who used to run the boarding house down the street?â
âI do, indeed,â said Mr. Thomas. Heâd found the fountain pen heâd been looking for.
âI went with her to that interview, you know. Since I got back Iâve been
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