busy right now. My father may even be traveling. And meâright nowâitâs just not aânot a good time.â
My mother renewed the invitation another time, a few days later, but Desmond replied in the same way. I felt sorry for her, and unease about Desmond. Though when we were alone he had numerous questions to ask me about my family, as about myself, clearly he didnât want to meet them; nor did he want his parents to meet any of us, even his dear soul mate Lizbeth whom he claimed to adore.
It was near the end of October that Desmond brought his violin to our house and played for my mother and me.
This magical time! At least, it began that way.
In Desmondâs fingers the beautiful little instrument looked small as a childâs violin. âA little Mozartâfor beginners.â
Desmond bit his lower lip in concentration as he played, shutting his eyes. He moved the bow across the strings at first tentatively and then with more confidence. The beautiful notes wafted over my mother and me as we sat listening in admiration.
We were not strangers to amateur violin-playingâthere were recitals in Strykersville in which both Kristine and I had participated as piano students.
Possibly, some of Desmondâs notes were scratchy. Possibly, the strings were not all fine-tuned. Desmond himself seemed piqued, and played passages a second time.
My mother said, âDesmond, thatâs wonderful! How long have you had lessons?â
âEleven years, but not continuously. My last teacher said that Iâm giftedâfor an amateur.â
âAre you taking lessons now?â
âNo. Not here.â Desmondâs lips twitched in a faint smile as if this question was too naive to take seriously, but he would take it seriously. âIâm living in Strykersville now, not in Rochester. Or in Munich, or Trieste.â
Meaning that there could be no violin instructor of merit in Strykersville.
My mother lingered for a while, listening to Desmond play. It was clear that she enjoyed Desmondâs company more than the company of many of her friends. I felt a thrill of vindication, that my sister was mistaken about Desmond. I thought Mom is on our side.
When my mother left us, Desmond played an extraordinarily beautiful piece of musicââItâs a transcription for violin. The âLove-Deathâ theme from Tristan und Isolde .â
Though Desmond didnât play perfectly the emotional power of the music was unmistakable. I felt that I loved Desmond Parrish deeplyâthis would be the purest love of my life.
Desmond lowered the bow, smiling at me. His eyes behind the gold-rimmed lenses were earnest, eager.
âNow, you try, Lizbeth. I can guide you.â
âTry? To playâwhat?â
âJust notes. Justâdo what I instruct you.â
âButââ
âYouâve had violin lessons. The technique will come back to you.â
But I hadnât had violin lessons. Iâd mentioned to Desmond that I had had piano lessons from the age of six to twelve, but I hadnât been very talented and no one had objected when I quit.
I protested, I couldnât begin to play a violin! The instrument was totally different from a piano.
âYouâve had music lessons, thatâs the main thing. The notes, the relationships between themâthatâs the principle of music. Câmon, Lizbethâtry!â
Desmond closed his hand around mine, gripping the bow, as he positioned the fragile instrument on my left shoulder.
Awkwardly Desmond caused the bow to move over the strings, gripping my fingers. The sounds were scratchy, shrill.
âDesmond, thanks. Butââ
âI could teach you, Lizbeth. All that I know, I could impart to you .â
âButâthat isnât very realistic. . . .â
Sternly Desmond said: âLook. Playing a musical instrument requires patience, practice, and faith. It doesnât
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