covered by the dress. I donât know if itâs going to recover.â
âClare has been shot. Sheâs delusional, babbling on about a dress,â I said aside as I grabbed my sweater and yanked it over my head, my voice muffled as I asked into the phone, âClare? Are you seeing things? Strange, unreal things?â
âWell, I consider my dress with bullet holes in it a strange, unreal thing, so if thatâs what you mean, yes. Itâs a mess, Sam, a mess, absolutely destroyed. Iâve tried for half an hour to get the blood out, and it wonât come out! Iâm so annoyed I could just scream!â
I stared at Paen in confused horror. He had donned his shirt and was quickly buttoning it.
âHow bad is she? What hospital is she at?â he asked. âIâll take you there.â
Clare continued to rant about her dress. I shook my head, trying to figure out just how badly she was hurt.
âClare? You didnât get shot in the head, did you?â I asked. âAre you lucid?â
âOf course Iâm lucid. Havenât you been listening to me? My dress is ruined!â she wailed.
I rubbed my forehead as Paen helped me to my feet, waiting not-so-patiently for me to answer his questions. I was so bemused by the fact that Clare seemed more concerned for a dress than her own bullet-riddled body that I couldnât seem to think straight. âYeah, but . . . Clare, exactly where were you shot?â
âTwice in the chest, once in the stomach.â
âSamantha?â Paen said, clearly wanting an update.
I covered the mouthpiece. âSheâs been shot in thechest and stomach, but she doesnât seem to care much about that.â
One of Paenâs expressive eyebrows rose slightly. âShe is a faery. She is immortal. Bullets canât kill her.â
âNo, but they can hurt her,â I snapped, immediately feeling bad. âIâm sorry, I didnât mean to get irritated, but Clare seems to be more worried about her dress than anything else.â
âSam? Did you hear me? What am I going to do?â Clareâs plaintive voice sobbed in my ear.
âDonât worry, weâll be there as quickly as we can. Where are you?â
âOn Dunstan Moor.â
âWhere?â
âDunstan Moor. Itâs in the Lammermuir Hills. Theyâre shooting a movie here, and Finn is part of a historical group thatâs providing extras for the movie, and we decided it would be fun to join in. Since he didnât think it was a good idea me meeting with the fence on my own, we arranged to meet him here.â
âOn the set of a movie?â I asked, more than a little incredulous.
âItâs not as movie-like as youâd think. Evidently the primarily filming was already done, and theyâre just doing a few more battle scenesââ
I sighed. Only my cousin would think nothing was wrong with meeting a fence in a location where there were plenty of witnesses to watch. âDunstan Moor. Got it.â
âYouâre coming? Youâll bring help?â she asked, her voice plaintive.
âPolice, paramedics, or both?â I asked.
There was silence on the other end of the phone. âNeither, silly! I need an emergency dry cleaner!â
I lost my patience then. âHonest to god, Clare, you act like the dress is more important than you being shot!â
âOf course it is! Itâs a Versace, you idiot! Bring help! Iâm going to save this dress at all costs.â
Chapter 5
âCan anyone tell me why . . .â I asked half an hour later as Paen and I stopped in front of Clare. She stood with a familiar dark-haired, dark-eyed man, both of them leaning over a small, portable plastic table spread with a wispy, gauzy bit of fabric in green, blue, and gold that I assumed was the all-so-important dress in question. We were a good fifteen yards away from a brightly lit
Sonia Gensler
Keith Douglass
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A. J. Colucci
Sven Hassel
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Carré White
Quinn Sinclair
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