believe him.â
âSocks and sandals can never be taken seriously.â
Miles hops up. âLetâs do it.â
âLetâs do what?â
He reaches out his hand for mine. I place my hand in his before I know whatâs happening. âLetâs do what?â
âLetâs get our fortunes told from socks and sandals. Why not?â He pulls me to my feet; I tumble into him. âWe already know thereâs a tall, handsome stranger in your future. So maybe I can get some juicy secrets from those cards.â
He keeps his tone light, but Milesâs smile quickly fades into something deeperâis he remembering my reticence back in the cathedral? My heart hammers in my chest, the rise of panic. My hand is still in his, and his other is around my waist. Iâve made no move to push myself off, and we stand like that, entwined under the shine of the streetlamps. I slow my pulseâthere will be no secrets spilled yet. Miles dips his head down, my own reaching up before I whisper, âWho says youâre handsome?â
I push him away, massive grin on my face. I walk away from him, knowing he will follow.
After a moment I hear, âBut I am tall, right?â
Iâm with the Band. I Am the Band.
W E LEAVE J ACKSON S QUARE WITH A SPIN AND A NEW DIRECTION . As quiet seeps into the rest of our walk, I become restless and just a bit worriedâthe memories are beginning to creep in like water when itâs quiet and I know itâs so easy to drown. Iâve kept my body from tensing, but I know all my emotions are visible on my face if only for moments at a time. Miles watches me, too kind to press, or maybe heâs just waiting for me to open up more. I need a distraction. When a group of three women stumble out of a bar, giggling down the street, the cadence of the music reaches out into the night, tangling around me.
The night has been amazing so far, but I need another joltâI need my heart to beat out of my chestâI need tofeel alive if only for shorts bursts of time. I walk into the bar, not caring if Miles is behind me. Itâs dark and I feel the bandâthe thump of the bassâbefore I see them in the back. Theyâre playing folk mixed with jazz, and the song keeps luring me forward. It starts: I hardly know my name.
Thereâs a small dance floorâor just a bit of floor where people have moved the tables and started to sway. Under the music I can hear the chatter of the people around me talking about heading out, but nothing can drown out the beat. I grievinâ myself away. Havenât had a bite to eat since the day before yesterday.
Iâve never heard this song before, but something tells me it was written long agoâthereâs a sense of place and time even though the tempo feels new and energetic. My feet are ready to hop in once again when thereâs a hand on my shoulder, twisting me around. I turn to face a giant of a man with a hat far too small for his head. âYou got ID?â
Shit.
Technically I do, but thatâs not going to help me out at all since itâs not fake. I sputter and grasp for something to say when Miles circles around the guy and maneuvers his banjo to the front of his body, tipping his imaginary hat. âWeâre the next act.â
âNext act?â The giant is narrowing his eyes, looking at Miles, then at the banjo, trying to figure out if this kid is for real.
âYeah.â The lies come smooth and fast. Miles strumsthe banjo for effect, no care in the world. âGot a call from Mike that you could slot us in. Weâre really excited to perform.â Miles turns to me. âItâs our what . . . third show?â
I nod far too eagerly but I am so far from good at this. Which is odd because with all the lying Iâve been doing to myself the past few days youâd think Iâd be a pro by now. Instead I stumble on the words and inch closer to Miles.
Fuyumi Ono
Tailley (MC 6)
Robert Graysmith
Rich Restucci
Chris Fox
James Sallis
John Harris
Robin Jones Gunn
Linda Lael Miller
Nancy Springer