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for material wealth that lay at the heart of this
particular killing. Gillette’s crime was caused fundamentally, Dreiser
argued, by his ambition.
Gillette had started out as ‘‘the young ambitious lover of some
poorer girl, who in the earlier state of affairs had been attractive
The Real American Tragedy
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enough to satisfy him, both in the manner of love and her social
station, [but] with the passing of time and the growth of experience
on the part of the youth, a more attractive girl with money or position
appeared and he quickly discovered that he could no longer care for
his first love,’’ he explained. ‘‘What produced this particular type of
crime . . . was the fact that it was not always possible to drop the first
girl. What usually stood in the way was pregnancy, plus the genuine
affection of the first herself for her lover, plus also her determination
to hold him.’’
What is disturbing here about Dreiser’s reasoning and his novel
is that the perpetrator of the crime is portrayed as an apparently
helpless pawn tossed about by ‘‘ambition’’ and drawn inexorably
from one woman to the next, always seeking the ‘‘more attractive
girl with money or position.’’ In fact, he comes close to blaming the
victim for her own death because of her efforts to hold on to the man
she loved.
In truth, the one character element entirely lacking from any
reading of the facts about Chester Gillette is ambition—meaning
a strong desire to achieve a particular end. Ambition is a quality
we usually attribute to people who exhibit its associated outward
manifestations: hard work, a drive to succeed, focused efforts to
achieve a goal, a willingness to sacrifice short-term pleasures for
long-term success.
When a man claims to want to better himself but isn’t willing
to put in the work and sacrifice necessary to achieve the lifestyle he
wants, when he merely believes he should be granted all the benefits
and trappings of success as some kind of divine right, he is exhibiting
not ambition but a sense of entitlement. That kind of narcissistic
entitlement, rather than true ambition, is characteristic of many
eraser killers, including Scott Peterson.
As Gordon put it, Dreiser’s protagonist is someone ‘‘who cannot
master his fate. He is never on top of the rules of the world’s game.’’
However, both Dreiser’s character and the real-life Gillette were never
greater masters of their fate, more on top of the game, more creative
and goal directed than when they were engaged in planning a ‘‘perfect
murder.’’ The same could be said of Scott Peterson.
Dreiser’s blindness in this respect is difficult to understand or
explain away. Before he settled on the Gillette case to use as the basis
for his novel, he researched the case of a young medical student in
New York named Carlyle Harris, who in the 1890s got a young woman
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E R A S E D
pregnant, married her in total secrecy, forced her to have an abortion
through a doctor he knew, then poisoned her with morphine, killing
her after he had started an affair with another young woman.
He also researched the case of one Reverend Richeson, a young
Baptist minister in Massachusetts and a graduate of the prestigious
Newton Theological Seminary, who was involved in a scandalous
crime just a few years after the Gillette case. Rev. Richeson had a
lengthy relationship with a beautiful seventeen-year-old girl named
Avis Linnell, the daughter of one of his parishioners.
The girl was attending a local teachers college, but as her feelings
for Richeson deepened, she decided to apply to the New England
Conservatory of Music to be closer to him and to advance her musical
training as a talented young soprano. Richeson proposed marriage
to her and gave her an engagement ring. But before the date of the
planned marriage, Avis told the preacher that she was pregnant with
his child. Richeson responded by
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