yourself, Ellie, how wonderful it is to have all the money you have.”
But I did know. I had been learning, learning a great deal in the last few weeks. I’d stepped as a result of marriage into an entirely different world and it wasn’t the sort of world I’d imagined it to be from the outside. So far in my life, a lucky double had been my highest knowledge of affluence. A whack of money coming in, and spending it as fast as I could on the biggest blowout I could find. Crude, of course. The crudeness of my class. But Ellie’s world was a different world. It wasn’t what I should have thought it to be. Just more and more super luxury. It wasn’t bigger bathrooms and larger houses and more electric light fittings and bigger meals and faster cars. It wasn’t just spending for spending’s sake and showing off to everyone in sight. Instead, it was curiously simple. The sort of simplicity that comes when you get beyond the point of splashing for splashing’s sake. You don’t want three yachts or four cars and you can’t eat more than three meals a day and if you buy a really top-price picture you don’t want more than perhaps one of them in a room. It’s as simple as that. Whatever you have is just the best of its kind, not so much because it is the best, but because there is no reason if you like or want any particular thing, why you shouldn’t have it. There is no moment when you say, “I’m afraid I can’t afford that one.” So in a strange way it makes sometimes for such a curious simplicity that I couldn’t understand it. We were considering a French Impressionist picture, a Cézanne, I think it was. I had to learn that name carefully. I always mixed it up with a tzigane which I gather is a gipsy orchestra. And then as we walked along the streets of Venice, Ellie stopped to look at some pavement artists. On the whole they were doing some terrible pictures for tourists which all looked the same. Portraits with great rows of shining teeth and usually blonde hair falling down their necks.
And then she bought quite a tiny picture, just a picture of a little glimpse through to a canal. The man who had painted it appraised the look of us and she bought it for £6 by English exchange. The funny thing was that I knew quite well that Ellie had just the same longing for that £6 picture that she had for the Cézanne.
It was the same way one day in Paris. She’d said to me suddenly:
“What fun it would be—let’s get a really nice crisp French loaf of bread and have that with butter and one of those cheeses wrapped up in leaves.”
So we did and Ellie I think enjoyed it more than the meal we’d had the night before which had come to about £20 English. At first I couldn’t understand it, then I began to see. The awkward thing was that I could see now that being married to Ellie wasn’t just fun and games. You have to do your homework, you have to learn how to go into a restaurant and the sort of things to order and the right tips, and when for some reason you gave more than usual. You have to memorize what you drink with certain foods. I had to do most of it by observation. I couldn’t ask Ellie because that was one of the things she wouldn’t have understood. She’d have said “But, darling Mike, you can have anything you like. What does it matter if waiters think you ought to have one particular wine with one particular thing?” It wouldn’t have mattered to her because she was born to it but it mattered to me because I couldn’t do just as I liked. I wasn’t simple enough. Clothes too. Ellie was more helpful there, for she could understand better. She just guided me to the right places and told me to let them have their head.
Of course I didn’t look right and sound right yet. But that didn’t matter much. I’d got the hang of it, enough so that I could pass muster with people like old Lippincott, and shortly, presumably, when Ellie’s stepmother and uncles were around, but actually it
But I did know. I had been learning, learning a great deal in the last few weeks. I’d stepped as a result of marriage into an entirely different world and it wasn’t the sort of world I’d imagined it to be from the outside. So far in my life, a lucky double had been my highest knowledge of affluence. A whack of money coming in, and spending it as fast as I could on the biggest blowout I could find. Crude, of course. The crudeness of my class. But Ellie’s world was a different world. It wasn’t what I should have thought it to be. Just more and more super luxury. It wasn’t bigger bathrooms and larger houses and more electric light fittings and bigger meals and faster cars. It wasn’t just spending for spending’s sake and showing off to everyone in sight. Instead, it was curiously simple. The sort of simplicity that comes when you get beyond the point of splashing for splashing’s sake. You don’t want three yachts or four cars and you can’t eat more than three meals a day and if you buy a really top-price picture you don’t want more than perhaps one of them in a room. It’s as simple as that. Whatever you have is just the best of its kind, not so much because it is the best, but because there is no reason if you like or want any particular thing, why you shouldn’t have it. There is no moment when you say, “I’m afraid I can’t afford that one.” So in a strange way it makes sometimes for such a curious simplicity that I couldn’t understand it. We were considering a French Impressionist picture, a Cézanne, I think it was. I had to learn that name carefully. I always mixed it up with a tzigane which I gather is a gipsy orchestra. And then as we walked along the streets of Venice, Ellie stopped to look at some pavement artists. On the whole they were doing some terrible pictures for tourists which all looked the same. Portraits with great rows of shining teeth and usually blonde hair falling down their necks.
And then she bought quite a tiny picture, just a picture of a little glimpse through to a canal. The man who had painted it appraised the look of us and she bought it for £6 by English exchange. The funny thing was that I knew quite well that Ellie had just the same longing for that £6 picture that she had for the Cézanne.
It was the same way one day in Paris. She’d said to me suddenly:
“What fun it would be—let’s get a really nice crisp French loaf of bread and have that with butter and one of those cheeses wrapped up in leaves.”
So we did and Ellie I think enjoyed it more than the meal we’d had the night before which had come to about £20 English. At first I couldn’t understand it, then I began to see. The awkward thing was that I could see now that being married to Ellie wasn’t just fun and games. You have to do your homework, you have to learn how to go into a restaurant and the sort of things to order and the right tips, and when for some reason you gave more than usual. You have to memorize what you drink with certain foods. I had to do most of it by observation. I couldn’t ask Ellie because that was one of the things she wouldn’t have understood. She’d have said “But, darling Mike, you can have anything you like. What does it matter if waiters think you ought to have one particular wine with one particular thing?” It wouldn’t have mattered to her because she was born to it but it mattered to me because I couldn’t do just as I liked. I wasn’t simple enough. Clothes too. Ellie was more helpful there, for she could understand better. She just guided me to the right places and told me to let them have their head.
Of course I didn’t look right and sound right yet. But that didn’t matter much. I’d got the hang of it, enough so that I could pass muster with people like old Lippincott, and shortly, presumably, when Ellie’s stepmother and uncles were around, but actually it
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