managing hedge funds or writing computer models for the oil industry, not advancing physics. But you believe in your students and their promise.â
I was touched. And then I felt a little foolish. I really did think every kid deserved a shot. So many of my students had done amazing things to get this far: escaped extreme poverty, learned English from cartoons, worked two jobs to support their families and pay for college. They embodied the work ethic of yesteryear, not theexpectations of the entitled generation. True, not every student was a poster child for the American Dream, but a lot were. âIs that a weakness?â
âNo! Have you seen your ratings on rottenprofessors.com ?â I let out a big belly laugh. The image of my father checking out the evil but all-powerful professor-ranking site was too much. âYou have four out of five stars! And three chilies for hotness. I only have two stars and no chilies.â
Now he was killing me. âThatâs because you have like ninety percent men in your classes. Iâm sure the few female students you have think youâre hot. They just donât rate statistically. Youâre at least two chilies.â And then, because it seemed impolite to ignore his efforts and because it had been on my mind, I asked, âDo you really think I should put together a resume and send it to your friend at Redfield?â
âNah. Not unless you really want to. But tell your mother you did and then weâre both off the hook.â
FX had taken to texting me at all hours of the day and night with little bits of information and inspiration: Heard Ashland has great farmerâs market. Or: Theseus is asshole. Donât remember hating him this much in college. Even quotes from the play that tickled his fancy: Joy gentle friends. Joy and Fresh love accompany your hearts.
The texts were little pick-me-ups and a way to stay close but not too close, as I finished up the last few weeks of school and prepared for the summer. Iâd spend a few moments composing witty replies, then get back to grading papers or doing research.
But on this particular Wednesday, FX texted me with a simple statement: Taz is in. Then he followed up separately with a message that seemed less than manly: !!!!!!!
Iâll be honest, of all the aspects of my gig with FX, workingwith noted director and creative genius Taz Buchanan was the most terrifying. Advising a movie star ex-husband was nothing compared to monitoring the man Time magazine called âThe Visionariesâ Visionary.â (Guess they needed to sell some magazines that week to the TED crowd.) Taz Buchanan had pushed theatrical productions to the level of grand opera and turned small, dark stories into movie mega-musicals. No Taz Buchanan production was ever just on the surface level. He dug deep. He dug sideways. He turned things up on end and over again. His take on Death of a Salesman , set against the fall of Lehman Brothers, was currently burning up the boards in the West End, thanks in part to the brilliant casting of Jon Bon Jovi as Willie Loman. He had an innate understanding of the material, the ability to see the contemporary in the classic, and a rocking sense of theater. Love it or hate it, a Taz Buchanan production was always an event.
Thereâs no telling what Taz might do to Midsummer to put his personal stamp on it. And it was my job to make sure that his personal stamp didnât become Coriolanus, Part Deux and ruin FXâs reputation. I considered Googling âHow to tame a wild director.â
Instead, I texted FX back: !!!!!
Which
Shakespearean
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