He’s monstrously frenetic. Something must be done quickly to detain him. Riba still hasn’t proposed going to Dublin. Why not, for God’s sake? When does he plan on doing it? Not now, because Ricardo is physically trying to project himself toward the street to flee from the Belvedere, where there really is
no room for anyone else
.
Half an hour later, Ricardo finally gets the proposal. And he claims to have only one question before he accepts the invitation to travel with Javier and Riba to Dublin. He wants to know if it’s just to be there for Bloomsday, or if there’s some dark motive he sould be warned about beforehand.
He still thinks it would be suicide to give Ricardo any kind of clue about his intentions to hold a requiem for the Gutenberg galaxy. Ricardo might think, and he wouldn’t be far off either, that Riba wanted to hold the funeral for himself: a funeral ceremony for his current unemployed state of half-failed publisher, embarrassing idler and computer nerd.
“Look, Ricardo. There is another motive, in fact. I want to take the English leap.”
After agreeing to travel with them, Ricardo is quiet for a long time at first and then starts telling him — almost in passing and without giving it the slightest importance — that he was in New York not long ago, where he interviewed Paul Auster in his house for the magazine
Gentleman
. He says it as if it’s nothing. At first, Riba can’t even believe it.
“You were in Auster’s house? And how was it? When did you go to New York?”
His eyes have become like saucers and he’s genuinely stunned just by the idea that Ricardo has also managed to visit this three-story brownstone in Park Slope that he once went to and that has since become so legendary in his mind. Straight away he asks Ricardo, doesn’t he think the house was really nice and weren’t Paul and Siri very likeable, pleasant people? He says it with almost childlike wonder and in the belief he has shared a similar experience.
Ricardo practically shrugs. He has not the slightest opinion on the neighborhood, or the Austers’ hospitality, or the house or even the red bricks of the façade. In fact, he has nothing to tell about his visit to the old neighborhood of Park Slope. He hadn’t given his foray into Auster’s house a second thought. For him, it was just another interview. He had more fun the other day, he says, interviewing John Banville in London.
Could it be that having grown up in New York has left Ricardo immune to have any sense of fascination for this city? Quite likely. For him, walking around there is natural, inconsequential.
How different two people can be, even though they’re friends. The city of New York, the Austers, the English wavelength, for Ricardo all this is the most normal thing in the world, it holds no secrets and no special attraction for him. It’s something he’s had ever since he was a child.
Quite easily, Ricardo changes the subject, and above all the character, and tells Riba that in Boston, the day after his visit to Auster, he interviewed O’Sullivan. And then he starts talking about Brendan Behan, who he says was one of the most tremendous Irishmen who passed through New York back in the day.
He doesn’t want to point out to Ricardo it’s useless to tell him things about Behan, as he already knows everything about the man. He lets him talk about the Irishman, until, in a brief lapse of concentration, he brings up the topic of Auster again.
“Do you think Paul Auster’s considered a good novelist in Ghana?” he asks Ricardo provocatively.
“Oh, how should I know?” He looks at him strangely. “You’re behaving really oddly today. You never go out, do you? It’s not that you don’t go out much, you just don’t go out, you’re not used to talking to people. It’s good you’re going to get some fresh air in Dublin. Believe me, you’re a bit unhinged. You should start up the publishing house again. You can’t just do nothing.
no room for anyone else
.
Half an hour later, Ricardo finally gets the proposal. And he claims to have only one question before he accepts the invitation to travel with Javier and Riba to Dublin. He wants to know if it’s just to be there for Bloomsday, or if there’s some dark motive he sould be warned about beforehand.
He still thinks it would be suicide to give Ricardo any kind of clue about his intentions to hold a requiem for the Gutenberg galaxy. Ricardo might think, and he wouldn’t be far off either, that Riba wanted to hold the funeral for himself: a funeral ceremony for his current unemployed state of half-failed publisher, embarrassing idler and computer nerd.
“Look, Ricardo. There is another motive, in fact. I want to take the English leap.”
After agreeing to travel with them, Ricardo is quiet for a long time at first and then starts telling him — almost in passing and without giving it the slightest importance — that he was in New York not long ago, where he interviewed Paul Auster in his house for the magazine
Gentleman
. He says it as if it’s nothing. At first, Riba can’t even believe it.
“You were in Auster’s house? And how was it? When did you go to New York?”
His eyes have become like saucers and he’s genuinely stunned just by the idea that Ricardo has also managed to visit this three-story brownstone in Park Slope that he once went to and that has since become so legendary in his mind. Straight away he asks Ricardo, doesn’t he think the house was really nice and weren’t Paul and Siri very likeable, pleasant people? He says it with almost childlike wonder and in the belief he has shared a similar experience.
Ricardo practically shrugs. He has not the slightest opinion on the neighborhood, or the Austers’ hospitality, or the house or even the red bricks of the façade. In fact, he has nothing to tell about his visit to the old neighborhood of Park Slope. He hadn’t given his foray into Auster’s house a second thought. For him, it was just another interview. He had more fun the other day, he says, interviewing John Banville in London.
Could it be that having grown up in New York has left Ricardo immune to have any sense of fascination for this city? Quite likely. For him, walking around there is natural, inconsequential.
How different two people can be, even though they’re friends. The city of New York, the Austers, the English wavelength, for Ricardo all this is the most normal thing in the world, it holds no secrets and no special attraction for him. It’s something he’s had ever since he was a child.
Quite easily, Ricardo changes the subject, and above all the character, and tells Riba that in Boston, the day after his visit to Auster, he interviewed O’Sullivan. And then he starts talking about Brendan Behan, who he says was one of the most tremendous Irishmen who passed through New York back in the day.
He doesn’t want to point out to Ricardo it’s useless to tell him things about Behan, as he already knows everything about the man. He lets him talk about the Irishman, until, in a brief lapse of concentration, he brings up the topic of Auster again.
“Do you think Paul Auster’s considered a good novelist in Ghana?” he asks Ricardo provocatively.
“Oh, how should I know?” He looks at him strangely. “You’re behaving really oddly today. You never go out, do you? It’s not that you don’t go out much, you just don’t go out, you’re not used to talking to people. It’s good you’re going to get some fresh air in Dublin. Believe me, you’re a bit unhinged. You should start up the publishing house again. You can’t just do nothing.
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