Drawing Conclusions by Donna Leon

to confess to poverty. But vast amounts of money had migrated to the city; thus any building and any address could now be the newly restored home of luxury and excess, while the former owners or tenants reversed the path of generations and moved to the mainland, leaving the city to those who could afford it.
    Brunetti ran his memory through the rooms. The furniture had been of good quality, all of it from some epoch between the old and the antique. There had been few books, fewdecorative objects: he could not remember a single painting. The whole place spoke of simplicity and of a pared-down life. What lingered most strongly in his memory was the placement of the sofa and the table: what sort of person would turn away from the view of the church and the mountains? Not only for herself but for guests who came to the apartment? He knew not everyone was addicted to beauty, but to choose to look at that boring room instead of both man-made and natural beauty made no sense to Brunetti and made him uneasy about a person who would make such a choice.
    What to make of the unopened packets of cheap underwear in the drawers of the spare bedroom? A woman who bought cashmere sweaters of the quality of the ones in her drawers, regardless of her age, would not wear cotton underwear like that, or else his ideas about women were more mistaken than Paola occasionally said they were.
    And why the three different sizes? Niccolini’s daughter, should she visit her grandmother, could hardly be old enough to wear even the smallest size; besides, parents were usually careful to send along the proper clothes when their children spent the night away from home. It might be that friends came to visit or perhaps sent their daughters to stay for a time in Venice. And the unopened toiletries in the bathroom? A person did not prepare for unexpected visits with that kind of thoroughness. It was her home, after all, not a hotel or lodging house.
    He left his desk and went downstairs. Over the course of the years, he had discussed many topics with Signorina Elettra, though female lingerie was not among them. She was standing at her window when he came in, arms folded, looking across the canal at the same view that greeted him from his own windows: the façade of San Lorenzo looked no less decrepit from one floor below.
    She turned and smiled. ‘Can I be of help, Commissario?’
    ‘Perhaps,’ Brunetti said and walked over to her desk. Heleaned back against it and crossed his legs. Light streamed through the window, not only from the sun but from its reflection on the water in the canal below. He saw her thus in profile and realized that the outline of her features was less sharp than he remembered its being. Her chin was less clear-cut, her skin on her cheekbone less tightly drawn. He noticed, too, the small wrinkles on the outer side of her eye. He looked away and studied the church.
    ‘Have you any idea what it means if the drawers in the guest room of an apartment hold unopened packages of women’s underwear, but in three different sizes?’ She looked at him, and he saw her brow contract in confusion. ‘And tights and sweaters, also in different sizes.’ Then, recalling who he was speaking to and knowing this detail would make a difference, he added, ‘All plain cotton, the sort of thing you’d buy at a supermarket.’
    She unfolded her arms and raised her chin, glancing back at the church. Her attention on the façade, she asked, ‘Is this in a man’s apartment or is it in the apartment you went to last night?’
    ‘It’s what we found in Signora Altavilla’s apartment, yes,’ he answered. ‘Why do you ask?’
    Attention still directed at the church, as if consulting with it to find an answer, she said, ‘Because in a man’s apartment, it would suggest one thing; in a woman’s, something entirely different.’
    ‘What would it suggest in a man’s?’ he asked, though he suspected he knew.
    She turned to face him and answered, ‘In a