Friday, and I thought I would go away for a rest over the week-end. But next week, any time."
"How about at night?"
"Well, we might do that."
"How about tomorrow night?"
"I tell you. Ring me home tomorrow night, around dinner time, some time around seven o'clock. I'll let you know then. If I can make it, I'll be glad to see you."
That would be why I went to that particular picture tonight, that I had to talk to this actor tomorrow night, and I wanted to see his picture, so I could talk about it and make him feel good.
About four o'clock I drove up through Griffith Park, and checked it over close, what I was going to do. I picked a spot for my car, and a spot for Sachetti's car. They weren't far apart, but the spot for my car was close to one end of the bridle path, where they ride horses in the daytime. It winds all over the hills there, but right above this place it comes out on the automobile road up above. I mean, up high in the hills. This park, they call it a park, but it's really a scenic drive, up high above Hollywood and the San Fernando Valley, for people in cars, and a hilly ride for people on horses. People on foot don't go there much. What I was going to do was let her get in and then start up the hill. When I came to one of those platforms where the road is graded to a little flat place so people can park and look over the valley, I was going to pull in, and say something about parking there, so we could talk. Only I wasn't going to park. The car was accidentally on purpose, going to roll over the edge, and I was going to jump. As soon as I jumped I was going to dive into the bridle path, race on down to my car, and drive home. From where I was going to park Sachetti's car to where I was going to run her over the edge was about two miles, by road. But by bridle path it was only a hundred yards, on account of the road winding all through the hills for an easy grade, and the bridle path being almost straight up and down. Less than a minute after the crash, before even a crowd could get there, I would be away and gone.
I drove up the hill and picked the place. It was one of the little lookouts, with room for just one or two cars, not one of the big ones. The big ones have stone parapets around them. This one didn't have any. I got out and looked down. There was a drop of at least two hundred feet, straight, and probably another hundred feet after that where the car would roll after it struck. I practiced what I was going to do. I ran up to the edge, threw the gear in neutral, and pushed open the door. I made a note I would only half close my door when she got in, so I could open it quick. There was a chance she would grab the emergency as the car went over and save herself, and then have the drop on me. There was a chance I wouldn't jump clear, and that I would go over the edge with her. That was O.K. On this, you have to take a chance. I ate dinner alone, at a big downtown sea-food house. The waiter knew me. I made a gag with him, to fix it on his mind it was Friday. When I finished I went back to the office and told Joe Pete I had to work. I stayed till ten o'clock. He was down at his desk, reading a detective story magazine when I went out.
"You're working late, Mr. Huff."
"Yeah, and I'm not done yet."
"Working home?"
"No, I got to see a picture. There's a ham by the name of Jack Christolf I've got to talk to tomorrow night, and I've got to see his picture. He might not like it if I didn't. No time for it tomorrow. I've got to catch it tonight."
"They sure do love theirself, them actors."
I parked near the theatre, loafed around, and around eleven o'clock I went in. I bought a downstairs seat this time. I took a program and put it in my pocket. I checked, it had the date on it. I still had to talk with an usher, fix it on her mind what day it was, and pull something so she would remember me. I picked the one on the door, not the one in the aisle inside. I wanted enough light so that she could see me
"How about at night?"
"Well, we might do that."
"How about tomorrow night?"
"I tell you. Ring me home tomorrow night, around dinner time, some time around seven o'clock. I'll let you know then. If I can make it, I'll be glad to see you."
That would be why I went to that particular picture tonight, that I had to talk to this actor tomorrow night, and I wanted to see his picture, so I could talk about it and make him feel good.
About four o'clock I drove up through Griffith Park, and checked it over close, what I was going to do. I picked a spot for my car, and a spot for Sachetti's car. They weren't far apart, but the spot for my car was close to one end of the bridle path, where they ride horses in the daytime. It winds all over the hills there, but right above this place it comes out on the automobile road up above. I mean, up high in the hills. This park, they call it a park, but it's really a scenic drive, up high above Hollywood and the San Fernando Valley, for people in cars, and a hilly ride for people on horses. People on foot don't go there much. What I was going to do was let her get in and then start up the hill. When I came to one of those platforms where the road is graded to a little flat place so people can park and look over the valley, I was going to pull in, and say something about parking there, so we could talk. Only I wasn't going to park. The car was accidentally on purpose, going to roll over the edge, and I was going to jump. As soon as I jumped I was going to dive into the bridle path, race on down to my car, and drive home. From where I was going to park Sachetti's car to where I was going to run her over the edge was about two miles, by road. But by bridle path it was only a hundred yards, on account of the road winding all through the hills for an easy grade, and the bridle path being almost straight up and down. Less than a minute after the crash, before even a crowd could get there, I would be away and gone.
I drove up the hill and picked the place. It was one of the little lookouts, with room for just one or two cars, not one of the big ones. The big ones have stone parapets around them. This one didn't have any. I got out and looked down. There was a drop of at least two hundred feet, straight, and probably another hundred feet after that where the car would roll after it struck. I practiced what I was going to do. I ran up to the edge, threw the gear in neutral, and pushed open the door. I made a note I would only half close my door when she got in, so I could open it quick. There was a chance she would grab the emergency as the car went over and save herself, and then have the drop on me. There was a chance I wouldn't jump clear, and that I would go over the edge with her. That was O.K. On this, you have to take a chance. I ate dinner alone, at a big downtown sea-food house. The waiter knew me. I made a gag with him, to fix it on his mind it was Friday. When I finished I went back to the office and told Joe Pete I had to work. I stayed till ten o'clock. He was down at his desk, reading a detective story magazine when I went out.
"You're working late, Mr. Huff."
"Yeah, and I'm not done yet."
"Working home?"
"No, I got to see a picture. There's a ham by the name of Jack Christolf I've got to talk to tomorrow night, and I've got to see his picture. He might not like it if I didn't. No time for it tomorrow. I've got to catch it tonight."
"They sure do love theirself, them actors."
I parked near the theatre, loafed around, and around eleven o'clock I went in. I bought a downstairs seat this time. I took a program and put it in my pocket. I checked, it had the date on it. I still had to talk with an usher, fix it on her mind what day it was, and pull something so she would remember me. I picked the one on the door, not the one in the aisle inside. I wanted enough light so that she could see me
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