me?â
âProbably.â Kane brushes back his hair like his idol, Steve Smith. âIâm the king at getting girls to like me for a second time. They never trust me again, but trust is overrated, anyway.â
âWell, how do you do it?â
âWhy should I tell you? What can you do for me?â
I think. âUmm.â
A brainwave hits me. âI can get you and Megan free food. Anything you want.â
âReally?â
âNo worries. Iâm tight with the manager. Weâre like this.â
I hold up crossed ï¬ngers.
âPromise?â he says.
âYep.â
âAll right. Listen up, then.â His voice is serious and I lean forward to catch every word. âTo win Ashleigh back, you gotta compete.â
âWhat do you mean?â
âYouâve got to ï¬ght for her. Show her that youâre a better man than Devo by beating him at something.â
âThatâs it?â
âSure. Deep down, girls are just damsels in distress, and weâre the knights. They want us to ï¬ght each other to the death.â
Hmm. I gotta ï¬gu re out how I can beat Devo and get Ash back. But ï¬rs t I need to get out of the toilet.
Kane opens the door.
âWhere are you going?â I say, but itâs too late. Heâs already walked out. Heâs always leaving me when things get tough.
If only I could ï¬ y, or walk on walls. Or both. Super Spiderman.
While Iâm coming up with a plan involving tightrope toilet paper, the door opens. A plastic food tray slides towards me and stops a few metres away.
âYou didnât think Iâd leave you here, did you?â Kane says.
âThanks,â I say. Maybe heâs a better mate than I thought.
He continues. âNot when youâre going to get us free food.â
Yeah. Thanks.
He nods at the tray. âSurfâs up.â
I look at it for a moment, smile, then jump back and kick off the wall for extra height and power. In mid-air I extend my arms for balance, which is just as well because when I land on the tray with my feet slightly apart, it skims across the wet ï¬oor like a hovercraft. I nearly fall backwards, but years of skating down wet grass on cardboard is now coming in very handy.
Iâm ï¬ying across the toilet ï¬oor and thinking that this is the coolest job a bloke could ask for, when I realise that I need to stop. Now. And a plastic tray doesnât have brakes. Iâm about to hit the door so I do the only thing I can. I close my eyes.
Bang!
Kane must have kicked the door open because I go sliding through into the restaurant on my tray skateboard. I swerve past a little kid and scare an old lady, who drops her walking stick and yells at me as I ï¬y past. I try to stop myself by grabbing onto the condiment stand, but all I do is knock down a tub full of straws.
I come to a stop by running into the back of Sherie, who falls onto the front counter and into a tray of food. When she turns to face me, I can see that her white top is covered in chocolate topping. It looks delicious.
âGet out!â she hisses.
âAww, câmon, Sherieââ
âOut!â
âAll right. All right. But can I have my lunch ï¬rst? You promised.â
Her teeth clench together like a werewolfâs. She turns around and slides the tray of food towards her.
âHereâs your lunch.â
But instead of handing me the tray, she takes a fry and spears it like a dart at my chest!
âWell done!â says the old lady. âA good belting is the only thing young hoons of today understand.â
I reach down to the ï¬oor and pick up the chip. Then I throw it at the old lady. âThatâs for calling me a young hoon.â
âHow dare you!â she screams, tossing her Senior Burger like a frisbee at my head.
I catch it. Sucked in, old lady.
Then I get dunked from behind with a full cup of freezing soft
George G. Gilman
haron Hamilton
Sax Rohmer
Kalyan Ray
Elizabeth Lapthorne
David Estes
Doranna Durgin
Vanessa Stone
Maurizio de Giovanni, Antony Shugaar
Tony Park