Diana by Carlos Fuentes

her warrior’s will, so her helmet would fit properly: her hair cut very short so there would be less to burn in the bonfire. I told her silently that God would give her a halo. A head of long hair burning in the night, dragged across the night, would be seen as the trail of the devil.
    Saint Joan … Even sainthood becomes habit, as do passion, death, love, everything. In the few weeks we’d spent together in Santiago, this bedroom had become a familiar, habitual place. We knew where to find everything. My clothes here. Hers there. The little bathroom divided equitably—which meant eighty percent for her, since she traveled with a luxurious and disconcerting variety of creams, pencils, nail polish, unguents, lotions, perfumes, lacquers … All I needed was space for my razor, shaving cream, my comb, and my toothbrush. I complained about the Colgate toothpaste I had to buy in Mexico, where high tariffs left us without much of a selection.
    â€œThat’s a problem? What brand do you like?” Diana asked.
    Half seriously, half jokingly I told her I liked Capitano, a toothpaste I used in Venice that reminded me of toothpaste my grandmother made at home in Jalapa. My grandmother distrusted products made who knows where, who knows by whom that you were going to end up putting in your mouth. She tried to do everything at home—cooking, carpentry, sewing … Capitano toothpaste also reminded me of my grandmother because it was pink inside and white outside. On the tube was a picture of an illustrious turn-of-the-century gentleman with a huge mustache, presumably the Capitano himself, guaranteeing the product’s tradition and dependability. My grandfather, I told myself, must have looked like this nineteenth-century Capitano. My granny would have fallen in love with a man like that, with his mustache, his high, stiff collar, and his huge cravat.
    â€œCapitano toothpaste.” I laughed.
    Three days later, Diana handed me a package with ten tubes of the famous toothpaste. She’d had them sent from Italy. Just like that, by snapping her fingers, from Rome to Los Angeles to Mexico City, to the provincial city of Santiago. In three days, my lover satisfied a disproportionate, sudden whim. At the same time, something that seemed to me a mere boutade on my part, not even a passion, took up its habitual place in our bathroom. I no longer had to desire my Italian toothpaste. Here it was, as if Saint Apollonia, patron saint of dentists and toothaches, had sent it down to me from heaven.
    I looked at the sleeping Diana. She lived in the world of instantaneous gratification. I knew that world existed. The young people of Paris, in May 1968, had rebelled against what they vaguely called the tyranny of consumption, a society that exchanged being for seeming and took acquisition as a proof of existence. A Mexican, no matter how much he travels the world, is always anchored in a society of need; we return to the need that surrounds us on all sides in Mexico, and if we have even the slightest spark of conscience, it’s hard for us to imagine a world where you can get everything you might want immediately, even pink toothpaste. I’ve always told myself that the vigor of Latin American art derives from the enormous risk of throwing yourself into the abyss of need, hoping to land on your feet on the other side, the side of satisfaction. It’s very hard for us—if not for us personally, then in the name of all those around us.
    Toothpaste from Italy in three days. A habit, no longer a desire, not even a caprice. I shook my head, as if either to exit or to enter Diana’s dreams. Everything turns into habit. Diana sleeps on the right side of the bed, near the telephone and the photo of her child. I sleep on the left side, next to a couple of books, a notebook, and two ballpoint pens. But tonight, as I get into bed, reaching out to pick up a book, I raise my eyes and find those of Clint