Gillian.
âBecause, dear dumb cluck, if he died during the play and if heâs up there in his flat, you must see that no one of us could have done it.â
âI never considered for a moment that one of us could have,â said Jason Thark. The silence that followed this was one of relief, as if Jasonâs position as producer gave him some sort of authority in police matters as well. That his statement was untrue, however, he immediately revealed by his next. âI suspect that we can narrow down the time much more closely than merely that of the duration of the play. Because when I was getting my drink after the show, poor old Win was wondering where Des was, and that girl from the dining roomâDawn is her name?âsaid rather sharply: âItâs no good him showing up now. It was during interval that he was wanted and when he said heâd be here.â So I rather suspect that the police will find that heâs been dead some time.â
âWhich will let us out,â said Ronnie Wimsett.
âWe-e-ell,â began Gillian, but she was interrupted byfootsteps on the stairs. And not just footsteps. The carrying voices of the Galloways were unmistakable.
âIt was Des, dreadful Desâ came Clarissaâs voice.
âAre you quite sure?â
âI heard the commissionaire, or doorman, or whatever you call him, say it to the constable by the main entrance. âHis name is Capper, or was. Des Capper.â Unless heâs gone out of his mind, the police are here because somebodyâs dead, and that somebody is Des Capper.â
âWell, Iâll be damnedâ came Carstonâs impeccably well bred tones.
They emerged blinking from the stairwell: Clarissa, Carston, and Susan Fanshaw, who characteristically was saying nothing. When they had got their bearings, Clarissa stared triumphantly at the assembled cast of The Chaste Apprentice of Bowe .
âThere! You see? Everyoneâs here and discussing it, arenât you, darlings?â
âWe are,â admitted Connie Geary. âBut where have you been that you missed the fun?â
âOh, my dear, such a miscalculation! I wouldnât have missed being first to hear of dreadful Desmondâs death for the world if Iâd known! But how could I? We went to the Webster.â
âWhy on earth did you do that?â
Clarissa had her audience and, as was her wont, immediately began acting a big scene, though it was a little enough matter she had to tell of.
âWell, darlings, after the play and the curtain callsâonly there is no curtain, and I do find that awkward!âCarston and I changed, because the fact is we do feel it a tiny bit unprofessional to mingle with the dear old general public in costumeââ She gestured round at Ronnie and Peter, still in their apprenticeâs costumes. âCall us old-fashioned if you like.â
âOld-fashioned,â said Gillian, and was rewarded with a dazzling reptilian smile.
âSo when we were ready, we collected Susan Fanshaw, my husbandâs sweet little mistress, who had had a heavy evening seeing youâd all got your swords and cudgels with you and that your wimples and codpieces were straight, or whatever codpieces are supposed to be, and we went out into the yard, and there were fans waiting for us, still waiting after all that time. . . . Well, we saw you all in the Shakespeare, and we thought we ought to spread ourselves around a bit so as to be fair, so we took the fans into the Webster and let them lavish on us the best hospitality their purses could buy. Poor dears, they loved it!â
Susan Fanshaw looked at Clarissa (from behind her) with an expression of the utmost contempt on her face. Clearly she had been embarrassed by their sponging. Carston did not notice the glance and took her hand absentmindedly.
âAnyway, the consequence was, you missed all the excitement,â said Brad
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