Dead Beat by Jim Butcher

paranormal, and the mystical. Most of the books were chock-full of philosophy or religion—predominantly Wiccan of one flavor or another, but there were several texts slanted toward Hindu beliefs, drawn from the kabbalah, voodoo, and even a couple grounded in ancient beliefs in the Norse or Greek gods. I steered clear of the whole mess, myself. Magic wasn't something you needed God, a god, or gods to help you with, but a lot of people felt differently than I did. Even some wizards of the Council held deep religious convictions, and felt that they were bound intricately to their magic.
    Of course, if they believed it, it was as good as true. Magic is closely interwoven with a wizard's confidence. Some would say that it is bound up with a wizard's faith, and it would mean practically the same thing. You have to believe in the magic for it to work—not just that it will happen, but that it should happen.
    That's what makes people like Grevane so dangerous. Magic is essentially a force of creation, of life. Grevane's necromancy made a mockery of life, even as he used it to destroy. Besides being murderous and extremely icky, there was something utterly profane about using magic to create a rotting semblance of a human life. My stomach turned a little, just thinking about what it might be like to work a spell like that. And Grevane believed in it.
    Which really seemed to make him look more and more like some kind of wacko. A deadly, powerful, calm, and intelligent lunatic. I shook my head. How do I get myself into this kind of crap?
    I walked through the bookshelves to a door in the back wall. While it wasn't precisely hidden, the door had no frame and was set flush with the wall around it, and was covered with the same paneling as the wall. Once it had opened to allow customers to slip into a private area to drink illegal booze. Now it was locked. I used Bock's key to open it and let myself into the back of the store.
    The rear area wasn't large—nothing more than a single room with an office built into one corner, and a pair of long bookshelves set behind a heavy iron grille on the wall opposite. The room was full of boxes, shelves, tables, where Bock would keep his spare inventory, if any, and where he handled his mail-order business. There were a couple of safety lights glowing on outlets on the walls. The office door was partly open, and the light was on. I heard the office radio playing quietly on a classic-rock station.
    I went to the door set in the iron grille and unlocked it, then rolled open the cage door. Bock kept all of his valuable texts in the cage. He had an original first printing of Through the Looking Glass by Lewis Carroll, autographed, on the highest shelf, carefully sealed in plastic, and several dozen other rare books, some of them even more valuable.
    The remaining shelves were filled with serious texts on magic theory. A lot of them were almost as occluded with opinion and philosophy as their more modern counterparts on the shelves in the front of the store. The difference was that most of them were written by members of the Council at one time or another. There were very few volumes that addressed magic in its most elemental sense, as a pure source of energy, the way I'd been taught about it. One of the notable exceptions was Elementary Magic by Ebenezar McCoy. It was the first book most wizards ever handed an apprentice. It dealt with the nuts and bolts of moving energy around, and stressed the need for control and responsibility on behalf of the wizard.
    Though now that I thought about it, Ebenezar hadn't handed me a copy of the book when he'd been teaching me. He hadn't even lectured me more than a couple of times. He told me what he expected, and then he lived it in front of me. Damned effective teaching method, to my way of thinking.
    I drew out a copy of his book and stared at it for a moment. My stomach fluttered a little. Of course, he'd been lying to me, too. Or at least not telling me the