Countdown: The Liberators-ARC
dropped his rifle and turned to run, screaming and throwing his hands into the air. Both Labaan and Delmar turned their pistols on the boy's back, firing so close together that Adam couldn't tell whose shots were whose. The boy was flung downward over his erstwhile friend, bleeding and ruined.
    Down below, from the rear of the bus where Abdi and Gheddi had taken firing positions, an altogether more violent firing burst out. In less than a second, so it seemed to Adam, the muzzles that had been visible ahead of the bus disappeared. There was a brief pause and then his two submachine gun bearing captors appeared ahead. They aimed downward. With three more bursts of fire, it was over.
    Adam, trembling, pushed his head out an open window and threw up.
    "And that's foreign aid, too, boy," Labaan said.

    Adam was back in his chair, still trembling and gone comparatively pale, as Labaan and Delmar dragged the two boys' bodies out. A few minutes later the driver reboarded the bus and grabbed the feet of the only bandit who had been of age and fully responsible. That gunman, as had the children, left a trail of blood along the tattered rubber matting of the floor.
    It seemed like a long time to Adam before everyone reboarded. The four captors sat and began to disassemble and clean their firearms, taking care to reload the magazines as well. The driver took a broom out from somewhere under the bus. He gathered some dirt in his hands and, reentering, began to spread it over the blood stains. With the broom he spread the dirt around, collecting up the blood.
    "It attracts flies," the driver explained, unnecessarily. He then swept the dirt forward and down the steps.
    When he looked down, Adam saw that indeed flies were beginning to settle on the remnants of the blood. He looked up and out the window, mostly to avert his eyes from the sight. This was worse, as vultures were settling in a mass not so very far away. Once again, Adam stood and stuck his head out a window to vomit.
    Gheddi laughed at the captive, earning a sharp rebuke from Labaan.
    "I remember you, cousin, the first time in action. Be polite, lest we bring up things better left forgotten."
    With a scowl, Gheddi turned back to his firearm.
    When he'd finished, and resumed his seat, Adam gasped, "They were just children and you shot them in cold blood. Like animals." He seemed to have forgotten his own earlier comparison to hyenas.
    "They were animals," Labaan answered. "Feral," he added, unconsciously voicing Adam's own, earlier thought. "Clan- and tribe-less. No one will miss them. And the world is better off without them. I don't know their precise crimes, yet that they had a lengthy list of them I have no doubt."
    "I doubt they had kidnapping on those list of crimes," Adam said, raising a grin from Labaan.
    "No, probably not kidnapping, unless you count temporarily, for purposes of rape. And what I do for my tribe is not a crime."

CHAPTER NINE

    Courage is the greatest of all the virtues.
    Because if you haven't courage, you may not have
    an opportunity to use any of the others.
    -Dr. Samuel Johnson

    D-120, San Antonio, TX

    Warren Zevon's "Lawyers, Guns, and Money" was playing from the computer's speakers as Phillie walked into the office.
    "Is what we're doing legal?" Phillie asked of Bridges. "I asked Wes and he said you used to be a lawyer and I should talk to you."
    Matt Bridges, late forties, balding, glasses, pushed himself back from the computer where he'd been working on the standard enlistment contract, and setting up dummy corporations for the procurement of everything from land, to ships, to aircraft, to rubber boats. He rotated his chair and began drumming the fingers of his right hand over and around his mouth. He actually knew the answer, already, but this delay gave him a chance to appreciate the sheer good looks of Philomena Potter, something all the crew liked to do when chance offered.
    "Have a seat, Phillie," Bridges said, indicating with on hand the

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