Street love nest, I went straight to the telephone and asked the operator to connect me with the Hareâs Hollow police department. When I was put through, first the secretary and then Inspector Digton scoffed at my request for Sadie Streetâs home address.
âNow, why would I give that to you ?â Inspector Digton made a donkeylike guffaw.
I pulled the earpiece away. When I put it back to my ear, Digton was still hee-hawing.
âThanks anyway,â I said, and rang off.
Next, I had the operator connect me to the Pantheon Pictures studio in Flushing, Queens. It was Sunday, so I crossed my fingers that Iâd get an answer.
âYeah?â a woman barked down the line.
âWould you please give me Sadie Streetâs address?â
âYou gotta be kidding me, lady.â
âWait! Donât hang up. I need to speak to her. Itâs urgent.â
âDo you wanna know how many calls Iâve gotten for her, and for Luciano and Zucker, from you pests today? Holy cow! I got better things to do.â She cut the connection.
You pests, sheâd said. Sheâd probably meant reporters.
Motion picture stars and murder. What a sensation. That gave me an idea.
I asked the operator to put me through to the offices of the New York Evening Observer .
âHello, Duffy,â Ida Shanks said when I got her on the line. She was a hard worker to be there on a Sunday, Iâd grant her that. âTo what do I owe the pleasure of your call? Donât tell me you plan to give me an exclusive on your full confession of murder.â
âReally, Miss Shanks,â I said. âWeâve known each other since we were five years old. You know very well I wouldnât murder anybody.â
âDear meâdoth the matron protest too much? And I do seem to recall a violent incident during which you pushed me from the seesaw and pulled my pigtails.â
âThat wasnât me! Iâve told you. That was Pansy Fennig. Anyway, I thought you might know Sadie Streetâs address. Thatâs right up your alley, isnât it?â
Ida cackled. âNow, why would I do you any favors?â
âWhy not?â
âI havenât got her address.â
âWhy do I think youâre lying?â
âThink whatever you want, Duffy dear.â Ida hung up.
Â
12
At four oâclock that afternoon, I dressed in my most matronly suit, a silk blouse, Ferragamos, and pearls, and made good on my promise to visit my mother. I took a taxi uptown and alighted at 993 Park Avenue. This was a ritzy brick apartment building with Italianate embellishments of creamy stone. It was fewer than ten years old, but it was already established as a Very Good Address.
I said hello to the uniformed doorman and took the elevator to the twelfth floor.
Father (with Motherâs militant counsel) had wrung Wall Street dry like a rag mop, so theyâd been able to purchase the apartment next door to their first one, knock out some walls, and make quite a swanky spread of it. I rang the doorbellâgold leaf and rococoâand the butler cracked the door. He was a rangy, dark-skinned fellow with gray hair, flawless livery, and a condescending manner that I was pretty sure Mother had drilled into him.
âGood afternoon, Mrs. Woodby,â he said. âYour mother has been expecting you.â
âHello, Chauncey.â
Chauncey wasnât his real name, of course. His real name was Fred, but Mother had decided that Chauncey sounded more butleresque.
He led me toward Motherâs sitting room.
The entry foyer had black-and-white marble floors, ornate moldings, and a ponderous chandelier calculated to bring on a migraine. I was used to those things, as well as the authentic Louis XIV furniture that looked fake. New to me, however, were the huge wooden crates everywhere. It looked as though a circus train had disgorged its contents into the apartment.
Chauncey acted like
Helen MacInnes
Tiffanie Didonato, Rennie Dyball
Lani Diane Rich
Aimee Said
Emily Goodwin
Lorie O'Clare
Nancy Herkness
David Menon
Harmony Raines
John Harvey