along the edges of the gathered pages. The book was so palpably ancient he was afraid it would crumble to dust as he turned to the first page. When he did there was no title page there, just plain text.
He took a few notes. The writing on the pages was dense and black and almost totally illegible. He thought medieval books were supposed to have pictures in them, but there wasnât even anything much in the way of decoration, just a few curlicues here and there between the columns of writing. He spelled out a word or two, enough to see that it was written in Latin. Turning the pages of a book he couldnât read could only keep him amused for so long, but he felt like he should use the full fifteen minutes just to spite Margaret Napier.
But even spite got boring after a while. Edward found her sitting at a circular table in the lobby with an entire drawer from the card catalog in front of her. She had boldly removed the metal rod that ran down the middle and taken out a short stack of catalog cards. She was sorting them into piles on the blond wood in front of her, as if she were involved in an elaborate private card game, and taking the occasional note.
âWhoâs winning?â he asked jauntily.
âWinning?â Margaret Napier looked up at him uncomprehendingly. Well, she didnât deserve witty conversation anyway.
âAre you really allowed to do that?â
She continued to sort the cards.
âI used to work here,â she said. âAnyhow, the paper catalog is largely redundant. Most of its contents are duplicated in electronic form.â
âDo you mind if I ask you a few questions?â he said, sitting down across from her. âI mean, about Gervase of Langford?â
âWhy?â
âWell, Iâm doing some research, andââ
âAre you a graduate student?â
âI work for a private collection.â
She plucked another manila card out of the drawer and snapped it down onto the table. He forged ahead.
âRecently Iâve been looking for a particular book by Gervase of Langford. And as part of the search Iâve been familiarizing myself with the physical characteristics of his work.â
âYouâre working for a private collection,â she repeated. âYouâre interested in acquiring one of his works?â
âActually, I think we may already have one.â
She looked up from her work.
Touché.
She seemed to register his presence for the first time.
âYouâre saying that your employers may be in possession of a new example of the work of Gervase of Langford.â She put down her pencil, still skeptical but definitely paying attention now. âWhat is it? Another
Chronicum?
â
âNo,â said Edward. âItâs aâI think itâs some kind of travel book. Something about the land of the Cimmerians, something like that.â
As soon as he said it he knew heâd made a mistake. Her manner frosted over again, visibly, and she went back to shuffling her cards. Edward waited, listening to the sound of her pencil scratching in the quiet of the library, but she said nothing more.
âYou know the book Iâm talking about?â he prompted.
âThe book youâre talking about doesnât exist.â
She sounded almost angry about it.
âMy employers think it does.â
âThen theyâre sadly misinformed.â
âWell, theyâll be very sorry to hear that.â
âIâm sure they will.â
âBut you do know what Iâm talking about?â he said doggedly. â
A Voyage to theâ
?â
â
A Viage to the Contree of the Cimmerians.
â She spoke the words fluidly and easily, but with a weird sing-song pronunciation. She placed the stresses differently than he would have expected, and she gave âCimmeriansâ a hard
c,
as if it were spelled with a
k.
âIt is a well-known hoax.â
Edward
Richard Paul Evans
Debbie Dee
Trisha Fuentes
Kate Serine
H T G Hedges
Reana Malori
Mark Samuels
Rose Burghley
Clea Simon
William T. Finkelbean