Cloudstreet by Tim Winton

the bird side-stepped up and down the fence, cocking his head and dodging the honkynuts Lon Lamb shot at him with a rubber band. Sam Pickles liked to feel Stan’s claws in his shoulder. It made him look a little taller. Rose said it made him look like a pirate. Dolly said it made him look like a perch. Ted and Chub didn’t care. Stan bit them and they lost interest.
    Stan’s wing was never clipped. He could always have flown away.
    Quick Lamb’s Sadness Radar
    Quick Lamb reads the paper every day and sees the long lists of the missing believed killed, and the notices in memorium for sons and fathers and brothers. The war’s over, he knows, but he picks up sadness like he’s got radar for it. The whole world’s trying to get back to peace but somewhere, always somewhere there’s craters and rubble and still the lists and the stories coming home as though it’ll never let itself be over. There’s families on this street who’ve lost men, and while they remember the war will still be on.
    We’re lucky, he thinks; the old man was too old and I was too young. We’ve got food, coupons, a full ration book. We’re gettin away light.
    Quick sees kids at school who are poor. The Lambs are patched and barefooted, but at lunchtime their mother always brings warm pies and pasties to the gate. Quick and Lon and Red meet up wordlessly and eat together. Through the winter Quick notices Wogga McBride sitting with his little brother Darren. Wogga McBride is in grade six, one below Quick. They have a queer way of eating their sandwiches: whatever it is they bring wrapped in vine leaves gets eaten under cover of their hands in a way so quick and deft that it’s impossible to know what it is they have. Maybe it’s Quick’s misery radar, but he can’t let it be. He watches them every day from the corner of his eye until it’s almost October, and by then he knows what he’s begun to suspect—Wogga McBride and his brother aren’t eating anything at all; they’re just pretending. Out of pride, they’re going through the motions of unwrapping, passing, commenting on, eating food that doesn’t exist.
    Quick lies awake that night with shadows vibrating on his wall.
    Next day at lunchtime, Quick leaves Lon and Red and takes a pastry over to Wogga McBride.
    I’m full, Quick says. Want it?
    The skinny blue kid takes it with a nod and Quick leaves it at that. From then he resolves to take food to Wogga McBride every day, but most days he forgets.
    The McBrides live further down the tracks towards West Perth but they cross at the walkway just below the big house on Cloud Street. Quick gets into the habit of falling in behind Wogga and Darren McBride and following them until they jump the tracks and head down toward town to their place.
    Not long before the holidays, Quick is behind the McBrides, straining to hear a bit of their rare conversation. He doesn’t know what he finds so fascinating about them. True, they have blue-mottled skin and legs like hinges, the way they fold inside the knee. There is a kind of weariness about them. Their hair lies flat against their birdlike skulls. To Quick they look like ghosts.
    Quick tails them down Rokeby Road, through all the food smells and the odour of newness seeping out of the open doors and shopfronts. They skirt the football ground. Quick can’t hear them saying anything. A truck clatters by loaded with pumpkins. Quick has the feeling he should catch up with them, just bust into their ghostly tight aura and say g’day, but what if they don’t want him? They actually look like they don’t care about the world, not what people think of them or wonder about them. And yet there they’ll be at lunchtime palming pieces of nothing—of air—into their mouths. Aren’t they pretending so that others won’t think they’re poor? Geez, Quick understands that much pride. Or are they keeping up the fantasy for themselves? Do they feel less hungry, less lean and hopeless, if they pretend