made the Creators cry,” she pretended to wipe tears from her eyes, the way pantomime actresses did in old black and white movies. “So the Creators decided that to honor their love, they’d redesign the landscape of Italy into a shoe, an epitaph to the single shoe that saved the love of the shoe-crossed—I mean star-crossed—lovers.”
“So this is basically the story of how Italy came to be,” Tabula said. “I understand now.”
Shew wondered if Carmilla was talking about Cerené. But how was that possible? This story happened centuries ago. Maybe she was talking about Bianca, or Cerené’s ancestors.
“So back to that Slave Maiden,” the Queen said. “Her name means ashes in Italian. Suits her fine, actually,” Carmilla said. “She is a low life, will live a low life, and will die an even lower life. I’m only telling you this story so you’ll know the only thing she wants is to meet a prince. She wants to get rich without deserving it. Her friendship with you isn’t real. She’s playing with you. I won’t allow you to be fooled by a Slave Maiden like her.”
Shew wasn’t going to argue. She was now even more curious about Cerené.
“I don’t want to hear that you’re talking to her again, understood?” Carmilla said.
“Of course, mother,” Shew finally said, wondering where Cerené was at the moment.
“Hmm,” Carmilla leaned slightly forward, looking in Shew’s eyes as if trying to see behind them. “Politeness is not one of your virtues, princess. I wonder if you’re trying to fool me. You know the consequences will be dire if you don’t do as I wish,” she patted Shew’s cheeks.
Carmilla’s words left Shew confused. Carmilla was putting on some kind of show, the same way she warned her about Cerené’s fake act of friendship. She knew Shew as stubborn, and that warning her would only encourage her to break the rule and meet Cerené again. Why would Carmilla do that?
“You know I make sure you feed, so you don’t want to keep away from me, believe me,” Carmilla said then showed her a small liver-shaped box. “Look what your mother brought you,” she said, opening the box.
Shew looked inside the box and felt dazed; her body leaned forward against her will, her fangs drawing out.
She was staring at a fresh liver.
“It’s ripe,” Carmilla said. “And it’s young,” she licked her lips. “I want to feed you the best, dear.”
Shew pulled the liver up to her mouth and bit into it, sucking the blood dry. She didn’t know how the liver had been preserved. It was more like a bag filled with blood. The blood quenched Shew’s thirst, and she felt guilty for liking it.
This was a dream, a memory, nothing more, she told herself. The Queen was feeding her, awaiting her sixteenth birthday when she could either turn her into a vampire and fight on the side of Night Von Sorrow or kill her and eat her heart if she disobeyed.
“Good girl,” Carmilla said, a little iffy about the drops of blood spattered on her face. She was planning to feed her dangerous daughter day by day until her birthday arrived.
“I will be sending Dame Gothel to you later today to weigh your heart,” Carmilla said. “Be kind to her, and don’t bite her like last time,” she patted her daughter gently then wiped some of the blood from her lips with a red napkin.
Who the heck am I? What does being a Dhampir really mean? If I fed on so many people in the past, and if I killed all those teenagers in the Schloss, how can I be forgiven? How can I be the good one?
The blood had entered Shew’s veins like a drug, and she liked it. It was her nature, and it explained why the Wall of Thorns wanted to kill her. She was a Sorrow after all, and she had a big choice to make, to stay a Sorrow or fight the Sorrows.
“What do you mean by weighing my heart?” Shew asked.
Carmilla’s face knotted slightly. The Queen had a minimalist way of showing facial expressions as if not wanting to wrinkle her
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