the contests, he showed solidarity with the people and allowed them to observe him at close quarters. When Augustus attended games at the Circus “he gave his entire attention to the performance, either to avoid the censure to which he realized that his [adoptive] father Caesar had been generally exposed because he spent his time in reading or answering letters and petitions; or from his interest and pleasure in the spectacle, which he never denied but often frankly confessed” (Suet.
Aug
. 45.1).
Throngs of young Romans were devotees of Circus games and the theater, and the people liked it when the emperor attended. Caligula, however, seems to have offended notions about proper public behavior for an emperor. He took sides himself for or against certain actors, and grew angry if the audience didn’t join in or applauded performances of which he did not approve. He was “so carried away by his interest in singing and dancing that even at the public performances he could not refrain from singing with the tragic actor as he delivered his lines, or from openly imitating his gestures by way of praise or correction” (Suet.
Cal
. 54.1). From the perspective of the aristocracy his conduct meant that the young man who had become their ruler behaved “like one of the crowd” (Dio 59.5.4).
Caligula’s organization of his household and his behavior in public were thus inconsistent with the role he played in institutional politics. While the latter showed moderation and skill and was generally praised, in the former he presumed upon his special status to the full. His displays of extravagance relegated the opulence of aristocratic houses to second class, and his unconventional manners at home flouted aristocrats’ preference that distinctions of rank be respected. His enthusiasm for the Circus and personal ties to actors and charioteers further violated aristocratic proprieties. At home he exalted himself above his fellow aristocrats, whereas in public he fell short of the dignity befitting an aristocrat, let alone an emperor. Various reasons can be suggested for this conduct: The years on Capri had removed him from senatorial society and provided too little aristocratic socialization, while the years of oppression and danger led him to savor his imperial possibilities, which must have seemed virtually unlimited. Last but not least, the role his predecessors had bequeathed to him was only imprecisely defined. The question now was, how would the Roman aristocracy react to Caligula’s behavior in the long term? There had never been a young, extravagant emperor with a passion for the arena in Rome before.
THE DEATH OF DRUSILLA
On 10 June 38 Drusilla died unexpectedly—the sister who had always been Caligula’s favorite and whom he had named as sole heir. He found her loss so extraordinarily painful that he could not bring himself to attend the elaborate public funeral with which she was honored. Seneca wrote critically that just as he was unable to show joy or pleasure in a manner suitable for an emperor,he was unable to mourn appropriately. Caligula shunned human company in Rome and withdrew to his country estate in the Alban Hills, where he tried to distract himself with dice and board games. Then he traveled aimlessly around the region, letting his beard and hair grow in grief.
Caligula granted Drusilla unusual posthumous honors. On top of all the honors Livia had received after her death, the Senate passed a measure deifying Drusilla, an honor previously granted only to Julius Caesar and Augustus. A gold portrait of her was placed in the Curia, and in the Temple of Venus on the Forum a statue of her was erected the same size as the statue to the goddess herself. Drusilla was also to receive her own temple, for which a new college of priests would be established. When women took an oath, they were to use her name, as the emperor did from then on, swearing by the divine Drusilla. Great games would be held on her birthday.
Aug
. 45.1).
Throngs of young Romans were devotees of Circus games and the theater, and the people liked it when the emperor attended. Caligula, however, seems to have offended notions about proper public behavior for an emperor. He took sides himself for or against certain actors, and grew angry if the audience didn’t join in or applauded performances of which he did not approve. He was “so carried away by his interest in singing and dancing that even at the public performances he could not refrain from singing with the tragic actor as he delivered his lines, or from openly imitating his gestures by way of praise or correction” (Suet.
Cal
. 54.1). From the perspective of the aristocracy his conduct meant that the young man who had become their ruler behaved “like one of the crowd” (Dio 59.5.4).
Caligula’s organization of his household and his behavior in public were thus inconsistent with the role he played in institutional politics. While the latter showed moderation and skill and was generally praised, in the former he presumed upon his special status to the full. His displays of extravagance relegated the opulence of aristocratic houses to second class, and his unconventional manners at home flouted aristocrats’ preference that distinctions of rank be respected. His enthusiasm for the Circus and personal ties to actors and charioteers further violated aristocratic proprieties. At home he exalted himself above his fellow aristocrats, whereas in public he fell short of the dignity befitting an aristocrat, let alone an emperor. Various reasons can be suggested for this conduct: The years on Capri had removed him from senatorial society and provided too little aristocratic socialization, while the years of oppression and danger led him to savor his imperial possibilities, which must have seemed virtually unlimited. Last but not least, the role his predecessors had bequeathed to him was only imprecisely defined. The question now was, how would the Roman aristocracy react to Caligula’s behavior in the long term? There had never been a young, extravagant emperor with a passion for the arena in Rome before.
THE DEATH OF DRUSILLA
On 10 June 38 Drusilla died unexpectedly—the sister who had always been Caligula’s favorite and whom he had named as sole heir. He found her loss so extraordinarily painful that he could not bring himself to attend the elaborate public funeral with which she was honored. Seneca wrote critically that just as he was unable to show joy or pleasure in a manner suitable for an emperor,he was unable to mourn appropriately. Caligula shunned human company in Rome and withdrew to his country estate in the Alban Hills, where he tried to distract himself with dice and board games. Then he traveled aimlessly around the region, letting his beard and hair grow in grief.
Caligula granted Drusilla unusual posthumous honors. On top of all the honors Livia had received after her death, the Senate passed a measure deifying Drusilla, an honor previously granted only to Julius Caesar and Augustus. A gold portrait of her was placed in the Curia, and in the Temple of Venus on the Forum a statue of her was erected the same size as the statue to the goddess herself. Drusilla was also to receive her own temple, for which a new college of priests would be established. When women took an oath, they were to use her name, as the emperor did from then on, swearing by the divine Drusilla. Great games would be held on her birthday.
Similar Books
