Broken April by Ismaíl Kadaré

first asking permission of the master of the house. For in the guest chamber, or the men’s chamber, as it was also called, no whispering or private conversation was allowed. All the talk there as Bessian explained to her was on men’s concerns, gossip was forbidden, as were incomplete sentences or half-formed thoughts, and every remark was greeted with the words, “You have spoken well,” or “May your mouth be blessed.” “There, listen to what they are saying,” Bessian had whispered. And she found that the conversation did in fact proceed in just the way he had told her it would. Given the fact that an Albanian’s home is a fortress in the literal sense of the word, Bessian told her, and since the structure of the family, according to the Code, resembles a little state, it is understandable that an Albanian’s conversation will more or less reflect those conditions in its style. Then, in the course of the evening, Bessian had come back to his favorite subject, the guest and hospitality, and had explained to her that the concept of “the guest,” like every great idea, carried with it not only its sublime aspect but its absurd aspect too. “Here, this evening, we are invested with the power of the gods,” he said. “We can abandon ourselves to any kind of madness, even commit a murder—and it is the master of the house who will bear the responsibility for it, because he has welcomed us to his table. Hospitality has its duties, says the
Kanun
, but there are limits that even we, the gods, may not transgress. And do you know what those limits are? If, as I have said, everything is possible for us, there is one thing that is forbidden, and that is to lift the lid of thepot on the fire.” Diana could hardly keep from laughing. “But that’s ridiculous,” she muttered. “Perhaps,” he said, “But it’s true. If I were to do that tonight, the master of the house would rise at once, go to the window, and with a terrible cry, proclaim to the village that his table had been insulted by a guest. And at that very moment the guest becomes a deadly enemy.” “But why?” Diana asked. “Why must it be that way?” Bessian shrugged his shoulders. “I don’t know,” he said. “I don’t know how to explain it. Perhaps it’s in the logic of things that every great idea has a flaw that does not diminish it but brings it more within our reach.” While he spoke, she looked about surreptitiously, and several times she was on the point of saying, “Yes, it’s true, these things have a certain grandeur, but might there not be a little more cleanliness here? After all, if a woman can be compared with a mountain nymph, she must have a
salle de bain
.” But Diana had said nothing, not at all because she did not have the courage, but so as not to lose the thread of her thought. To tell the truth, this was one of the few cases in which she had not told him just what she was thinking. Usually, she let him know whatever thoughts happened to come to her, and indeed he never took it amiss if she let slip a word that might pain him, because when all was said and done that was the price one paid for sincerity.
    Diana turned the other way on her bed, perhaps for the hundredth time. Her thoughts had begun to get mixed up in her mind while she and Bessian were still in the guest room. Despite her efforts to listen with attention to everything that was said, in that room her mind had started leaping from bough to bough. Now, as she listened to the noises of the cattle below (she smiled to herself once again) she began to feel the fearful approach of sleep put to flightat once by the creaking of a floorboard or by a sudden cramp. At one point she groaned, “Why did you bring me here?” and was surprised by her own cry, because she was still awake enough to hear her voice but she could not make out the