Iâm supposed to be doing.â
âDetails?â
âLike if heâs here yet, where he is, where heâs going to be. Christ, Pete, you know, details.â
âI donât know no details, Mr. Boldt,â Pete says. âJesus, you know better than to ask me if I know any details.â
âAll right, all right,â I tell him. âJust tell me this--- is he here already or not?â
Pete shakes his head.
âI donât know. My source donât know. All I know is, if he ainât here already, then heâs going to be here inside of twenty- four hours.â
I donât say anything.
âLook,â Pete says. âI canât tell you anything else. I mean, you know what I mean.â
âYeah,â I say. âBut if heâs here or when he comes, heâs going to have to be somewhere. Now can you tell me that, Pete?â
Pete shakes his head. âIâve told you what I know,â he says. âThereâs no more I can tell you.â
âOkay,â I say to him. âThatâs fine. Youâve been a great help, Pete. From this point on, Iâve got no more worries. Everythingâs virtually sewn up. Iâm going to get a promotion for this one and believe me, Iâll remember the part you played in the whole business. I really will. Now just run along and when I get my share of the reward, Iâll be in touch, okay?â
Pete turns to look at me and opens his mouth but before he can speak, I say to him, âThatâs all, Pete.â
His mouth stays open so I reach across him and open the door on his side of the car.
âThatâs the way out, Pete.â
Peteâs mouth snaps shut then he shuffles along the seat and climbs out. He thinks about slamming the door then decides against it and closes it quietly, but what he does do is stick his head back in through the open window and he says, âYouâre a bastard, Boldt,, and I want you to know this: if I ever hear thereâs a contract out on you, then Iâll find out whoâs going to carry it out, and Iâll tell them to take the day off and take the money, and Iâll do the job for them for free.â
I nod my head. Pete stays the way he is for a moment or two more then jerks his head back through the window and walks off toward the bushes. I take out another cigarette and light it from the butt of the last one then throw the butt out of the window. There is a faint rustling of leaves behind me and I look in the mirror; Pete Foley has gone.
The bar at the Chandler Hotel is altogether different at this time of the evening. The cocktail hour crowd is spilling into the pre-dinner crowd which is being augmented by the crowd that donât bother about dinner at all. All the stools at the bar are occupied so I sit down in an empty booth and wait for Murdock to come down. I manage to grab a waiter whoâs working very hard at trying to avoid catching anybodyâs eye and I get him to bring me a vodka and while Iâm waiting for that important event to happen, my attention is focused on the girl I had the brush with earlier in reception. My memory has done her no service because sheâs even better than the picture Iâve been carrying in my mind.
Sheâs wearing different clothes for one thing. Now sheâs dressed all in cheesecloth, whiteâa white sleeveless top and a long white skirt. The material is almost thin enough to see her underwear through it, but not quite, and the effect it has is to keep you looking, just in case. Tonight sheâs wearing her hair up, kind of Roman style, and that doesnât do her any harm either because it shows off the grace of her long neck and although sheâs too far away from me to smell her perfume, I know itâs going to smell fresh and innocent and at the same time be enough to have guys jumping out ten-story windows.
While sheâs looking around for some place to sit,
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