Bloodsucking fiends: a love story by Christopher Moore Page A
Authors: Christopher Moore
Tags: Humor, Love Story
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world of their evil. I am the hand of God. Why else would security have let me into the building with an assault rifle in my suitcase? I am a divine instrument.' " Tommy paused and looked up. "That's all I have so far, but I'll guess I end it with an apology to my mom. What do you think?"
She smiled as if hiding gas pains and handed him an envelope. "This is Jody's final paycheck. Give her our best. And you have a nice day now, young man."
"You too," Tommy said. He gathered up his stuff and left the office whistling.
Fashionable SOMA looked to Tommy an awful lot like a light industrial area: two- and three-story buildings with steel roll-up doors and steel-framed windows. The bottom floors housed ethnic restaurants, underground dance clubs, auto-repair shops, and the occasional foundry. Tommy paused outside of one to watch two long-haired men pouring bronze into a mold.
Artists, Tommy thought. He had never seen a real artist, and although these guys looked more like bikers, he wanted to talk to them. He took a tentative step through the doorway.
"Hi," he said.
The men were wrestling with a huge ladle, the two of them gripping the long metal handle with asbestos gloves. One looked up. "Out!" he said.
Tommy said, "Okay, I can see you guys are busy. 'Bye." He stood on the sidewalk and checked his map. He was supposed to meet the rental agent somewhere around here. He looked up and down the street. Except for a guy passed out on the corner, the street was empty. Tommy was thinking about waking the guy up and asking him if this was, indeed, the fashionable part of SOMA, when a green Jeep pulled up beside him and skidded to a stop. The driver, a woman in her forties with wild gray hair, rolled down the window.
"Mr. Flood?" She said.
Tommy nodded.
"I'm Alicia DeVries. Let me park and I'll show you the loft."
She backed the Jeep into a spot that seemed too short for it by six inches, running the wheels up over the curb, then she jumped out, dragging after her a purse roughly the size of Tommy's suitcase. She wore sandals, a dashiki, and multicolored Guatemalan cotton pants. There were chopsticks stuck here and there in her hair, as if she were prepared at any minute to deal with an emergency stir-fry.
She looked at Tommy's suitcase. "You look like you're ready to move in today. This way."
She breezed by Tommy to a fire door beside the foundry. Tommy could smell the patchouli in her wake.
She said, "This area is just like Soho was twenty years ago. You're lucky to have a shot at one of these lofts now, before they go co-op and start selling for a million dollars."
She unlocked the door and started up the steps. "This place has incredible energy," she said, without looking back. "I'd love to live here myself, except the market's down right now and I'd have to sell my place in the Heights."
Tommy dragged his suitcase up the steps after her.
"Do you paint, Mr. Flood?"
"I'm a writer."
"Oh, a writer! I do a little writing myself. I'd like to write a book myself some weekend, if I can find the time. Something about female circumcision, I think. Maybe something about marriage. But what's the difference, right?" She stopped at a landing at the top of the stairs and unlocked another fire door.
"Here it is." She threw the door open and gestured for Tommy to enter. "A nice work area and a bedroom in the back. There are two sculptors that work downstairs and a painter next door. A writer would really round the building out. What's your take on female circumcision, Mr. Flood?"
Tommy was still about three topics behind her, so he stood on the landing while his brain caught up. People like Alicia were the reason God made decaf. "I think everyone should have a hobby," he said, taking a shot in the dark.
Alicia jammed like an overheated machine gun. She seemed to look at him for the first time, and did not seem to like what she saw. "You are aware that we'll need a significant security deposit, if your application is
She smiled as if hiding gas pains and handed him an envelope. "This is Jody's final paycheck. Give her our best. And you have a nice day now, young man."
"You too," Tommy said. He gathered up his stuff and left the office whistling.
Fashionable SOMA looked to Tommy an awful lot like a light industrial area: two- and three-story buildings with steel roll-up doors and steel-framed windows. The bottom floors housed ethnic restaurants, underground dance clubs, auto-repair shops, and the occasional foundry. Tommy paused outside of one to watch two long-haired men pouring bronze into a mold.
Artists, Tommy thought. He had never seen a real artist, and although these guys looked more like bikers, he wanted to talk to them. He took a tentative step through the doorway.
"Hi," he said.
The men were wrestling with a huge ladle, the two of them gripping the long metal handle with asbestos gloves. One looked up. "Out!" he said.
Tommy said, "Okay, I can see you guys are busy. 'Bye." He stood on the sidewalk and checked his map. He was supposed to meet the rental agent somewhere around here. He looked up and down the street. Except for a guy passed out on the corner, the street was empty. Tommy was thinking about waking the guy up and asking him if this was, indeed, the fashionable part of SOMA, when a green Jeep pulled up beside him and skidded to a stop. The driver, a woman in her forties with wild gray hair, rolled down the window.
"Mr. Flood?" She said.
Tommy nodded.
"I'm Alicia DeVries. Let me park and I'll show you the loft."
She backed the Jeep into a spot that seemed too short for it by six inches, running the wheels up over the curb, then she jumped out, dragging after her a purse roughly the size of Tommy's suitcase. She wore sandals, a dashiki, and multicolored Guatemalan cotton pants. There were chopsticks stuck here and there in her hair, as if she were prepared at any minute to deal with an emergency stir-fry.
She looked at Tommy's suitcase. "You look like you're ready to move in today. This way."
She breezed by Tommy to a fire door beside the foundry. Tommy could smell the patchouli in her wake.
She said, "This area is just like Soho was twenty years ago. You're lucky to have a shot at one of these lofts now, before they go co-op and start selling for a million dollars."
She unlocked the door and started up the steps. "This place has incredible energy," she said, without looking back. "I'd love to live here myself, except the market's down right now and I'd have to sell my place in the Heights."
Tommy dragged his suitcase up the steps after her.
"Do you paint, Mr. Flood?"
"I'm a writer."
"Oh, a writer! I do a little writing myself. I'd like to write a book myself some weekend, if I can find the time. Something about female circumcision, I think. Maybe something about marriage. But what's the difference, right?" She stopped at a landing at the top of the stairs and unlocked another fire door.
"Here it is." She threw the door open and gestured for Tommy to enter. "A nice work area and a bedroom in the back. There are two sculptors that work downstairs and a painter next door. A writer would really round the building out. What's your take on female circumcision, Mr. Flood?"
Tommy was still about three topics behind her, so he stood on the landing while his brain caught up. People like Alicia were the reason God made decaf. "I think everyone should have a hobby," he said, taking a shot in the dark.
Alicia jammed like an overheated machine gun. She seemed to look at him for the first time, and did not seem to like what she saw. "You are aware that we'll need a significant security deposit, if your application is
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