the stagehand whoâd set up the platforms and the carpenter whoâd built them. Spraggue photographed them all, feeling vaguely silly. Now heâd have to fingerprint the entire cast. And he was certain the joker had used gloves. Everyone used gloves. He inspected the nails, driven in clean and straight. Could tiny Georgina swing the necessary blow? The wire itself, Karen identified easily; right off a roll in the electricianâs booth. Kept on an open shelf in an unlocked room. Available to all.
Spraggue shook his head, disgusted. âYouâd better go get some lunch while thereâs still time,â he said to Karen.
âWhat about you?â
âNot hungry.â
âDid the joker leave you another note?â
âCanât find one.â
âIâll bring you back a sandwich,â she said.
Spraggue went to pay a condolence call on Caroline Ambrose. Her dressing-room door was partially open.
Caroline was alone, standing in front of her full-length mirror. She preened, testing one famous expression after another. Her smile faded and her fingers gently massaged her temples, her forehead, desperately smoothing age-wrinkled skin.
The face reflected in the glass was a classic. Caroline Ambrose had huge violet eyes under arching brows, porcelain skin, delicate bones, a cloud of dark hair, and a sweet triangular smile. Cloying, Spraggue corrected himself, not sweet. A self-conscious smile designed to evade laugh lines. Appraising eyes that constantly searched, for approval, for weakness, for gain.
Caroline mascaraed her long lashes, replenished her scarlet lipstick, patted more color into her cheeks. She made Spraggue long for the uncompromising face of Karen Snow, not beautiful, but real. He much preferred the intelligence in Karenâs eyes to the fake docility in Carolineâs.
Spraggue rapped at the open door. Caroline was still engrossed in her reflection.
She turned, offered him a three-quarter profile and a madonna smile. It was one of her best. She was often photographed that way.
âMay I come in, Miss Ambrose?â Spraggue said with what he hoped was the right touch of deference for a request from a second lead to a star.
Her triangular smile widened speculatively. She patted a place on the bench close beside her and beamed as he sat down.
âCall me Caroline, Michael. Please.â
âCaroline.â He said her name lightly, approvingly. âI hope my knock didnât frighten you.â
âOh, no.â
âGood. After what youâve been throughââ
âJust frightful, isnât it?â She shivered, then smiled at her pretense. âThe things actors have to put up with.â
âYou, especially.â
Caroline flushed with pleasure. âSo you, at least, have noticed. There is such envy in the theater.â
âYou seem to take it very calmly. If you had gone a few more steps down that staircaseââ
She put a hand on his arm. âPlease, donât even say that. Iâm not calm, not at all.â She allowed a lip to quiver. âReally, I shouldnât have been left here alone.â
So John Langford had deserted her. For Emma? âIâm sorry,â Spraggue said.
âIâm being foolish, I know.â Caroline smiled bravely. âBut I canât dwell on such things. It might affect my performance.â
It certainly wasnât affecting her performance at the moment, Spraggue thought.
âThese things have happened to me before, you know.â
âTrip wires?â
âNo, no. But my dressing room has been broken into twiceâand I have had setbacks in my career. Jealous people whoâve taken advantageââ
âDo you know who set that wire?â
âWhy, no, Michael. I feel it. Iâm very sensitive to these things. I feel who my enemies are. I always have enemies.â
âHave you discussed your suspicions with
Bill Palmer
Sam Crescent
Natalie Damschroder
Patrick Quentin
Peter Ho Davies
Karpov Kinrade
Lucy J. Whittaker
C.J. Box
Richard Parks
A. Gardner