be interested in your presentation.’
Her eyes were pale blue.
‘Would you buy Black Vodka, Lisa?’
She told me she would, yes, she would give it a go, and then she screamed because Richard had crept up behind her and his hands were clasping her narrow waist like a handcuff.
As I put away my laptop, I felt an unwelcome blast of anger. I think I suddenly wanted more than anything else to be a man without a burden on his back. After a presentation we tend to open champagne and instruct the interns to order in snacks. But when I saw a tray of sun-dried tomatoes arranged on tiny, pesto-filled pastry cases, I wanted to punch them onto the floor.
I left the office early. I even left without asking my boss what he thought of my presentation. Tom Mines is the Cruel Man of the agency (though he would call his cruelty ‘insight’) and he suffers from livid eczema on his wrists and hands. For as long as I’ve known him, he’s always bought jackets with extra-long sleeves. For obvious reasons, I am fascinated by how other people conceal their physical suffering.
I muttered something about being summoned to an emergency and left quickly before Tom could point out that the emergency was me. But I did not leave before walking straight over to Lisa, aware that Tom Mines had his eye on me, his thin grey fingers twisted around the cuffs of his jacket. What I did next might sound strange: I gave Richard’s girlfriend my card. The surprise she attempted to express with her facial muscles, her raised eyebrows, her mocking lips slightly parted, was really not that convincing because of what I knew. When Lisa was doodling in her notebook, she had let it rest open on her lap. From my position on the raised stage, I could see quite clearly that she had drawn a sketch of me on the left-hand page. A picture of a naked, hunchbacked man, with every single organ of his body labelled. Underneath her rather too accurate portrait (should I be flattered that she imagined me naked?) she’d scribbled two words: Homo sapiens .
She called me. Lisa actually pressed the digits that connected her to my voice. I asked her straight away if she’d like to join me for supper on Friday? No, she can’t make Friday. It is usual for people attracted to each other to pretend they have full and busy lives but I have an incredible facility to wade through human shame with no shoes on. I told her if she couldn’t make Friday, I was free on Monday, Tuesday, Wednesday and Thursday and that the weekend looked hopeful too.
We agreed to meet on Wednesday in South Kensington. She said she liked the big sky in that part of town and I suggested we drink our way through the vast menu of flavoured vodkas at the Polish Club, not far from the Royal Albert Hall. This way we could conduct a bit of field research for my Vodka Noir concept. She said she was more than happy to be my assistant.
That night I dreamt (again) of Poland. In this recurring dream I am in Warsaw on a train to Southend-on-Sea. There is a soldier in my carriage. He kisses his mother’s hand and then he kisses his girlfriend’s lips. I am watching him in the old mirror attached to the wall of our carriage and I can see he has a humped back under his khaki uniform. When I wake up there are always tears on my cheeks, transparent as vodka but warm as rain.
There’s something about rain that makes me slam the doors of cabs extra hard. I love the rain. It heightens every gesture, injects it with 5ml of unspecific yearning. On Wednesday night it was raining when the cab dropped me off on the Exhibition Road in London’s Zone 1. In the distance I could see autumn leaves on the tall trees in Hyde Park. The air was soft and cool. As I began to walk up Exhibition Road, I knew that under the twenty-first-century paving stones there had once been fields and market gardens. I wanted to laze in those fields with Lisa stretched across my lap, the clouds unfolding above us, and I wanted the schoolboys who told me
Jennifer Armintrout
Holly Hart
Malorie Verdant
T. L. Schaefer
Elizabeth J. Hauser
Heather Stone
Brad Whittington
Jonathan Maas
Gary Paulsen
Missy Tippens, Jean C. Gordon, Patricia Johns