Birchwood
Nockter and my father. They passed by the window with downcast eyes.
    ‘We should…’ Michael began. He eyed me speculatively, biting bits off a thumbnail. ‘Do you think she's…?’
    The hall. I remember it so well, that scene, so vividly. My father was stooped over the phone, rattling the cradle with a frenzied forefinger and furiously shaking the earpiece, but the thing would not speak to him. His hair was in his eyes, his knees trembled. Mama, with one hand on her forehead and the other stretched out to the table behind her for support, leaned backwards in a half swoon, her lips parted and eyelids drooping, her drenched hair hanging down her back. Nockter sat, caked with mud from his fall, on the edge of a little chair, looking absurdly stolid and calm, almost detached. The front door stood open. Three dead leaves were busy chasing each other round and round on the carpet. I saw all this in a flash, and no doubt that precise situation took no more than an instant to swell and flow into another, but for me it is petrified forever, the tapping finger, Mama's dripping hair, those leaves. Aunt Martha, in her ruined pink frilly, was slowly ascending the stairs backwards. The fall of her foot on each new step shook her entire frame as the tendons tugged on a web of connections, and her jaws slackened, her chest heaved, while out of her mouth there fell curious little high-pitched grunts, which were so abrupt, so understated, that I imagined them as soft furry balls of sound falling to the carpet and lodging in the nap. Up she went, and up, until there were no more steps, and she sat down on the highest one with a bump and buried her face in her hands, and at last an ethereal voice in the phone answered Papa's pleas with a shrill hoot.
    My memory is curious, a magpie with a perverse eyes, it fascinates me. Jewels I remember only as glitter, and the feel of glass in my beak. I have filled my nest with dross. What does it mean? That is a question I am forever asking, what can it mean? There is never a precise answer, but instead, in the sky, as it were, a kind of jovian nod, a celestial tipping of the wink, that's all right, it means what it means. Yes, but is that enough? Am I satisfied? I wonder. That day I remember Nockter falling, Mama running across the garden in the rain, that scene in the hall, all those things, whereas, listen, what I should recall to the exclusion of all else is the scene in the summerhouse that met Michael and me when we sneaked down there, the ashes on the wall, that rendered purplish mass in the chair, Granny Godkin's two feet, all that was left of her, in their scorched button boots, and I do remember it, in a sense, as words, as facts, but I cannot see it, and there is the trouble. Well, perhaps it is better thus. I have no wish to make unseemly disclosures about myself, and I can never think of that ghastly day without suspecting that somewhere inside me some cruel little brute, a manikin in my mirror, is bent double with laughter. Granny! Forgive me.

WE MISSED HER , in a way. When Granda Godkin died it was like the shamefaced departure of a ghost who no longer frightens. That tiresome clank of bones was no more to be heard in the hall, the wicked laughter on the landing was silenced. The space he had occupied closed in, making a little more room for the rest of us, and we stretched ourselves and heaved a small sigh, and were secretly relieved. But when the old woman was so unceremoniously snuffed out something fretful entered the house. Now there was always something wrong with the stillness. Our chairs seemed to vibrate, a ceaseless tremor under our backsides would not let us sit, and we went wandering from room to room like old dogs sniffing moodily after their dead master. The house seemed incomplete, as often a room did when Mama, on one of her restless days, shifted out of it a piece of furniture which had stood in the same place for so long that it was only noticed in its absence.

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