âpalâ since the fifties but if he can get away with kissing me, I think I can get away with âpal.â I push himto armâs length with a fingertip and then nudge him in the ribs with an elbow as we start walking, a nudge that says, âYa big charmer, but enough of the kissing!â The gesture makes me think of you.
Gabe and I part company at the end of the street and he raises his hand in a farewell salute. Well, I didnât break his heart, I think as I walk away. I get the impression he was just trying it on and wonât be crying into his pillow tonight.
MY BEDROOM. MIDNIGHT. THAT NIGHT.
I canât say the same for my good nightâs sleep. He kisses me, and Iâm the one spending the rest of the night neuroticizing about it! We have to go back to rehearsals tomorrow and I hope it wonât be weird. Especially with Mia there. I canât help wondering if I was clear enough that today is as far as it goes. Maybe I should have stepped back right away, not enjoyed the attention, the feel of him. I cover my face in the dark. I hope I didnât mess up.
Ten minutes later, the pendulum of my thoughts swings reassuringly to
no big deal
, heâs hardly in love. Maybe, like me, there are people heâd rather be kissing.
Are
there people Iâd rather be kissing? I think about Mia, nearly all the time, butthinking is one thing, kissing is another. I squeeze my eyes shut and give myself permission to fantasize. If Gabe can do
no big deal
, so can I. I try to imagine kissing Mia with my experimental new vibe. My imaginary self turns bright red and runs for the trees.
REHEARSAL. SCHOOL THEATER. TWO DAYS LATER.
For some reason I havenât mentioned the Gabe thing to you yet. We didnât speak that night, and it would be strange to announce it out of the blue. Not that youâre likely to ask,
Hey, kissed anyone today?
so I suppose Iâll have to tell you if youâre going to know.
To my great relief, rehearsals seem normal. As if he can hear my thoughts, Gabe, sitting across from me, winks. Mia notices and I blush. We havenât been acting as though it never happened. Weâre acting as though it happened and we have successfully put it behind us, which makes me feel spectacularly well-adjusted. If only we could all go around kissing people without detrimental effects. Heâs made jokes about it too, which helps.
I promise I wonât kiss you
, he says when I get close enough. Maybe heâs the kind of guy who kisses a lot of girls for no reason. Maybe Iâm that kind of girl. I think not.
MY BEDROOM. THAT EVENING.
Iâm getting ready to meet you at the movies. Kate is supposed to be coming with two of her friends. Iâm running lateâyouâre probably already there. Mom comes into my room with an armful of laundry. I catch a glimpse of the face she makes at the âinteresting paint effectâ every time she comes in. I canât find my shoes and itâs driving me crazy. Iâm worried weâll miss the beginning of the movie. Mom is speaking to me from the doorway.
MOM
I think itâs exciting how much youâre enjoying your theater class.
ME
Have you seen my shoes? I canât find them anywhere.
Mom points to a heap on the floorâher angle clearly advantageous. The mess has gotten away from me. She sits down on my bed.
MOM
And this play that youâre a part of.
I try to zip up my sweater but it catches. The zipper is jammed. It wonât go up or down. I canât go out with a jammed wonky sweater and I wail in frustration. Mom tells me to settle down and takes hold of my zip. It slides freely up to my neck and I wave as I run out of the room with a protracted
Bye
that comes with me down the stairs.
MOVIE THEATER. SOON AFTER.
Skipping the last few feet to the doors of the movie theater, I see you up ahead in front of the movie posters, illuminated in the colored lights and turning your head with
Lisa Clark O'Neill
Edward Marston
Peter Tremayne
Jina Bacarr
Amy Green
Whitley Strieber
William Buckel
Laura Joy Rennert
Mandy M. Roth
Francine Pascal