realised I was smiling without effort. And,
and
. His hand was draped heavily on my shoulder, and I wasnât bothered. This was a great relief to me. Iâd felt funny for the last few days.
The weekend had not been good. Iâd missed Nick. The house felt wrong and angry without him. I was hungry, but there was nothing in the fridge, so I ate food you donât normally eat unless thereâs a famine â a can of refried beans, tinned sardines on pasta, a jar of pickled cucumbers. I didnât feel capable of leaving the premises. When I wasnât eating processed food, I lay in bed, too heavy of heart and limb to move, quaking at every noise. When the phone rang I jumped but I was too lethargic to answer it. It was all I could do to feed Emily. I sweated a lot but I didnât wash. Maybe I should have.
But weâre all allowed an off-weekend, arenât we? We donât have to be
constantly
jetting off to Prague or Barcelona for cultural mini-breaks, squeezing every last brisk minute out of our leisure time and making everyone else feel like sloths. By Monday morning Iâd grown so still I could have merely stopped breathing. However. Iâd pulled myself back from wherever Iâd gone to and had a shower, applied make-up, driven to work. Simple actions that required as much effort as pulling a dead fat man uphill on a rope.
So. I needed reassurance that I was fine, and here it was.
Claudia extracted herself from the circle. âHang on,â she said to Nige. âYou donât mean that
hyper
cheap furniture ad.â
âOh yes I do!â
âThe one set in a sofa showroom?â
âThatâs the one.â
âWith dolly birds draping themselves over the bargain leather?â
âThe very same.â
âAnd men wandering around with blowdried hair and taupe trousers?â
âPlease God by me!â
âNigel Wilkins, how very naff. I commend you on your lack of class.â
I giggled. âWhat will you have to do at the audition, Nige?â
âWell.â Nige dragged his chair into the centre of the room, sat down and crossed his legs. âItâs going to be deeply embarrassing. Itâll probably be in a warehouse on an industrial estate. Iâll be in there for two minutes, in front of a camera and a panel of people whoâll require me to make love to a sofa. Or rather,
act
as if I want to make love to the sofa. Iâll feel like the most enormous fool. Then Iâll have to act like Iâm in love with the nest of tables. But dears, itâs money and itâs telly and I want it to be me!â
âYouâve got to practise then,â I said.
âWhat!â Nige couldnât believe his luck. âNow?â
Usually, I canât wait to start work. I love the thrill of discovering whoâs dropped onto the mat, and the kick I get when something they say clicks and I just
sense
who to match them with. I even like it when Nige opens what he terms âa communiqué from a desperadoâ and bellows, âPass me the tongs!â But right then, I needed to encourage Nigeâs good mood in the hope it would be catching. And that meant postponing toil.
âOne quick rehearsal,â I said, âthen we should get on.â Claudia nodded.
âOkay,â said Nige. âIâll have to warm up first though.â
Iâd forgotten this bit. I chewed my pen to keep from snickering. Nige tucked his chair under his desk, bounced to centre stage, rolled up and down his spine, shook out hisankles, breathed deep to open up his resonators, ensuring his vocal passage was free so he could connect with his centre (âthatâs your truth,â he explained as Claw and I watched, rapt), tried to connect his diaphragm to the roots in his feet (âfor more truthâ), allowed the sound to travel up through his spine (âmmm aaaaaaaaah aaaeeeooooâ), took command of all the vowel
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