as soon as my brother gets his license when he turns sixteen. What I always wonder is, how good can a car be that always needs some repair?
The special feelings I once had for Sam have definitely faded. Now he seems like a regular boy, with his hair too white as if it’s been left in a bucket of bleach overnight, his eyes a dull blue. He and Mundín are always talking about cars. Chucha and I will pass by the carport and overhear them discussing the carburetor and brake pads, points and plugs. I’ll repeat these words to myself, as if by doing so I’ll somehow be able to understand my older brother and my former love a little better.
Sometimes, when Mundín and Sam are out working on the car and Mami and her friends are playing canasta on the patio, it seems as if things might be going back to normal. Suddenly, I’ll think up a dozen things to say to Chucha about something I saw in one of Mrs. Washburn’s
Life
magazines or a plan for a hairdo that’ll make me look older. But then something happens to remind me that we’re not safe, and my words slide away again.
Thursday morning, we are on our way to Oscar’s house for class, Sam and Mundín and I. His chauffeur has the day off, so Mr. Washburn is driving. He has a stop to make downtown at Wimpy’s anyway.
Wimpy is over at the Washburns’ a lot these days. I’ve heard Sam tell Mundín that Wimpy is really an undercover agent for the United States. That’s why Mr. Washburn has been bringing him to the secret meetings at our house.
Today, traffic is heavy. Probably, El Jefe’s car is expected down the main avenue, which means cars will be backed up until his motorcade passes. We inch forward at a crawl. Beside me, in the backseat, Sam is looking uncomfortable, squirming this way and that.
Suddenly, the car ahead of us brakes, and as we brake, too, the car behind rams into us, and the trunk flies open.
Mr. Washburn is out of the car in a flash. From their guardpost, two policemen, who have seen the accident, head down the block toward us. Sam turns pale at the sight of soldiers approaching, wielding machine guns. He opens his door and hurries out to join Mundín and Mr. Washburn at the back of the car. I’m right behind him.
“No problem,” Mr. Washburn is saying to the driver who has run into our car. “It’s understandable, bad
tráfico
.” He’s talking too fast, as if he’s the one who rammed into a car, his hand trying desperately to push down the trunk that has flown open. But the dent in the trunk won’t let the latch catch.
“Allow me,” one of the policemen offers, strapping his weapon over his shoulder and rolling up his sleeves.
“No, no, por favor,”
Mr. Washburn insists, waving him away from the trunk. “All that is needed is a piece of rope.”
The driver of the car behind us runs off to get some rope he has stored in his trunk. Meanwhile, the second policeman heads back to his guardpost to make out his report.
“You will dirty your sleeves!” Mr. Washburn is still arguing with the remaining policeman about helping with the dented trunk. But the policeman is insistent. He steps forward and lifts the lid to inspect the damage.
I cannot describe what I see, for the words slide away from my memory. In fact, no one says a word. We stand for a long moment, looking down into the trunk of that car. The driver, who has arrived with the coil of rope, glances down and his eyes grow wide.
Jolted from their sugar-cane sacking, barrels poking out, the ingredients of the picnic have spilled out across the floor of the trunk. The guns were on their way to the drop-off point, the mission disguised as a school ride for us kids.
The policeman must see them, too. But all he does is reach for the rope from the terrified driver and loop one end into the lid and then through the bumper and knot them tightly together.
“You better get that fixed,” he says quietly to Mr. Washburn when he’s done.
“¿Todo bien?”
his buddy calls from
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