Bark: Stories
raced through a bludgeoning bass solo. At the drums he pressed the stick into the cymbal and circled it, making a high-pitched celestial note, like a finger going round the edge of a wineglass. He smacked the tambourine against his head and against the snare, back and forth. When he then approached the piano, she stopped him. “Not the piano,” she said quietly. “The piano’s mine.”
    “OK,” he said. “I just wanted to show you everything I can do.” And he picked up an acoustic guitar.
    Would it be impossible not to love him? Would not wisdom intervene?
    Later, to the rest of the band, whose skepticism toward Dench was edged with polite dismay, she said, “I don’t understand why the phrase ‘like an orchestra tuning up’ is considered a criticism. I love an orchestra when it is tuning up.
Especially
then.”
    From the beginning, however, she could not see how Dench had ever earned a living. He knew two Ryan Adams songs and played guitar fairly well. But he had never done so professionally. Or done anything professionally that she could discern. Early on he claimed to be waiting for money, and she wasn’t sure, when he smiled, whether this was a joke. “From whom? Your mother?” and he only smiled. Which made her think,
Yes indeed, his mother
.
    But no. His mother had died when he was a teenager. His father had disappeared years before that and thereafter for Dench there was much moving with his sisters: from Ohio to Indiana to California and back. First with his mom, then with an aunt. There was apparently in his life a lot of dropping in and out of college and unexplained years. There had been a foreshortened stint in the Peace Corps. In Swaziland. “I’d just be waiting at a village bus stop, reading a book, and women would pretend to want to borrow it to read but in truth they just wanted a few pages for toilet paper. Or the guys they had me working with? They would stick their hands in the Port-a-Potties, as soon as we got them off the trucks: they wanted the fragrant blue palms. I had to get out of there, man, I didn’treally understand the commitment I had made, and so my uncle got a congressman to pull some strings.” How did Dench pay his bills?
    “It’s one big magic trick,” he said. He liked to get high before dinner and seemed never without a joint in his wallet or in a drawer. He ate his chicken—the wings and the drumsticks, the arms and the legs—clean down to the purple bones.
    And so, though she could not tell an avocado plant from flax (he had both), and though she had never seen any grow lights or seeds or a framed license to grow medical marijuana from the state of Michigan, KC began to fear Dench made his living by selling pot. It seemed to be the thing he was musing about and not saying. As she had continued to see him, she suspected it more deeply. He played her more songs. Then as something caught fire between them, and love secured its footing inside her, when she awoke next to him with damp knots in the back of her hair like she’d never experienced before, the room full of the previous night’s candles and the whiff of weed, his skin beside her a silky calico of cool and warm, and as they both needed to eat and eat some more together, she began to feel OK that he sold drugs. If he did. What the hell? At least there was that. At least he did something. His sleepy smiles and the occasional flash of a euro or a hundred-dollar bill in his pocket seemed to confirm it, but then his intermittent lack of cash altogether perpetuated the mystery, as did his checks, which read D. ENCHER , and she started to fear he might not sell drugs after all. When she asked him straight out, he said only, “You’re funny!” And after she had paid for too many of his drinks and meals, since he said he was strapped that week and then the week after that, she began to wish, a little sheepishly, that hedid sell drugs. She began to hope deeply that he did. Once she even prayed for him to do so.

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