Bangkok Haunts by John Burdett

face, browner than Chanya’s, with the somewhat pouting lips of the Khmer. To me Damrong’s is a gaunt, haughty beauty, whereas Chanya’s is full-bodied and jolly. But the FBI too is shaking her head. “Only men think that’s irresistible,” she grunts.

We go through all of Baker’s X files, starting with the shortest. In about ten minutes we have covered Damrong’s full sexual repertoire, without observing any demonstration of passion on her part. The men’s faces rarely appear; when they do, it is by way of hairy pink foils to her performance. I have shrugged, inwardly, and bought myself a certain amount of cheap immunity thereby. I am even congratulating myself on my Buddhist self-control when I start into the first of the two longer clips.

The atmosphere is quite different. One senses immediately that this recording has been made furtively, without the John’s knowledge. At first the couple move in and out of camera range, until Damrong has maneuvered her client to a specific position on the bed. Here she is giving oral pleasure with great enthusiasm; indeed, there is an intensity to her performance that hacks a hole in my guts. (Sexual jealousy started in the reptilian incarnations and is firmly embedded in the brain stem; its distorting effect on the personality has been studied for millennia.) “You okay, Sonchai?” the FBI says. Chanya stares at me in disgust: “He’s still in love with her, look at him.”

“I’m okay,” I croak. “Really.”

“So why have you turned green?” my pregnant partner wants to know.

“I haven’t” is the best I can manage by way of reply. I’m struggling with an internal tornado during the first five minutes of the clip, though, and don’t start to come out of it until we begin to get flashes of the man’s face.

“Look,” Kimberley says, “look how she’s moving under him to bring his face in range of the camera.”

It is very subtly done, each pelvic shift on the bed made to look like a reaction to the exquisite torture of sexual frenzy. Now he is in full view. It does not help that he is a handsome farcing with a strong jaw, auburn hair, hazel eyes, and a masterful manner. “You sucker,” I mutter, avoiding the women’s eyes. “That’s the way she worked,” I explain hoarsely. “She’s let him think he’s dominated her mind, that he’s so good and his cock’s so big she’s totally fallen for him, body and soul.”

“That’s not a technique she invented, Sonchai,” the FBI advises. Chanya nods in agreement, still maintaining a sneer for my benefit. It’s the postcoital sequence that grabs all three pairs of eyeballs, though.

“Amazing,” the FBI says.

“Genius,” from Chanya, former bar queen.

I’m rubbing my eyes. “Play it again,” Chanya instructs.

“Real tears,” from the FBI.

It’s true. Damrong has managed a delicate, reluctant trickle from both retinas, which she quickly, bravely wipes away. She pretends she cannot look him in the eye when she says, “Tom, you’re just amazing.” A slight wobble around the chin, then: “I don’t think I can stand the thought of you with another woman. I just can’t.”

“Don’t worry about that,” Tom says with a lump in his throat. “There wouldn’t be any fucking point, would there?” Now his eyes too are weepy. They blend the salt for a while, before starting again. This time she manages to get both his face and groin in camera range while she works on him.

“Did she use that trick on you?” Chanya wants to know. So does the FBI, to judge by the way she’s looking at me.

“No,” I say, not sure how I feel. “Not at all. I guess he has a lot more money than me.”

“Hm,” the FBI says thoughtfully, “kind of over the top, somehow, unless she wanted more than just money.”

“Like what? Not marriage, surely.”

“No,” Kimberley agrees, “not that.”

I take a deep breath. “Last one,” I say.

It is the same room, but the atmosphere is quite