At the Old Ballgame by Jeff Silverman

how about these ball-players who masticate the weed? Do they kill jinxes, too?” he wanted to know. And I had to admit that they were the main exterminators of the jinx.
    â€œThen,” he went on, “I’m glad that the percentage of wearers of cross eyes is small.”
    I have just looked into one of my favorite works for that word “jinx,” and found it not. My search was in Webster’s dictionary. But any ball-player can give a definition of it with his hands tied behind him—that is, any one except “Arlie” Latham, and, with his hands bound, he is deaf and dumb. A jinx is something which brings bad luck to a ball-player, and the members of the profession have built up a series of lucky and unlucky omens that should be catalogued. And besides the common or garden variety of jinxes, many stars have a series of private or pet and trained ones that are more malignant in their forms than those which come out in the open.
    A jinx is the child of superstition, and ball-players are among the most superstitious persons in the world, notwithstanding all this conversation lately about educated men breaking into the game and paying no attention whatever to the good and bad omens. College men are coming into both the leagues, more of them each year, and they are doing their share to make the game better and the class of men higher, but they fall the hardest for the jinxes. And I don’t know as it is anything to be ashamed of at that.
    A really true, on-the-level, honest-to-jiminy jinx can do all sorts of mean things to a professional ball-player. I have seen it make a bad pitcher out of a good one, and a blind batter out of a three-hundred hitter, and I have seen it make a ball club, composed of educated men, carry a Kansas farmer, with two or three screws rattling loose in his dome, around the circuit because he came as a prophet and said that he was accompanied by Miss Fickle Fortune. And that is almost a jinx record.
    Jinx and Miss Fickle Fortune never go around together. And ball-players are always trying to kill this jinx, for, once he joins the club, all hope is gone. He dies hard, and many a good hat has been ruined in an effort to destroy him, as I have said before, because the wearer happened to be chewing tobacco when the jinx dropped around. But what’s a new hat against a losing streak or a batting slump?
    Luck is a combination of confidence and getting the breaks. Ball-players get no breaks without confidence in themselves, and lucky omens inspire this confidence. On the other hand, unlucky signs take it away. The lucky man is the one who hits the nail on the head and not his fingers, and the ability to swat the nail on its receptive end is a combination of self-confidence and an aptitude for hammering. Good ball-playing is the combination of self-confidence and the ability to play.
    The next is “Red” Ames, although designated as “Leon” by his family when a very small boy before he began to play ball. (He is still called “Leon” in the winter.) Ames is of Warren, Ohio, and the Giants, and he is said to hold the Marathon record for being the most unlucky pitcher that ever lived, and I agree with the sayers. For several seasons, Ames couldn’t seem to win a ball game, no matter how well he pitched. In 1909, “Red” twirled a game on the opening day of the season against Brooklyn that was the work of a master. For nine innings he held his opponents hitless, only to have them win in the thirteenth. Time and again Ames has pitched brilliantly, to be finally beaten by a small score, because one of the men behind him made an error at a critical moment, or because the team could not give him any runs by which to win. No wonder the newspapers began to speak of Ames as the “hoodoo” pitcher and the man “who couldn’t win.”
    There was a cross-eyed fellow who lived between Ames and the Polo Grounds, and “Red” used