At Last

At Last by Edward St. Aubyn Page A

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Authors: Edward St. Aubyn
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senator, enrich a great art collection or encourage a dazzling marriage, but in the end they had mainly subsidized idleness, drunkenness, treachery and divorce. Were the ironies of taxation any better: raising money for schools and hospitals and roads and bridges, and spending it on blowing up schools and hospitals and roads and bridges in self-defeating wars? It was hard to choose between these variously absurd methods of transferring wealth, but just for now he was going to cave in to the pleasure of having benefited from this particular form of American capitalism. Only in a country free from the funnelling of primogeniture and the levelling of égalité could the fifth generation of a family still be receiving parcels of wealth from a fortune that had essentially been made in the 1830s. His pleasure coexisted peacefully with his disapproval, as he walked into his dim and scented hotel, which resembled the film set of an expensive Spanish brothel, with the room numbers sewn into the carpet, on the assumption that the guests were on all fours after some kind of near overdose and could no longer find their rooms as they crawled down the obscure corridors.
    The phone was ringing when he arrived in the velvet jewel box of his room, bathed in the murky urine light of parchment lampshades and presumptive hangover. He groped his way to the bedside table, clipping his shin on the bowed legs of a chair designed to resemble the virile effeminacy of a matador’s jacket, with immense epaulettes jutting out proudly from the top of its stiff back.
    ‘Fuck,’ he said as he answered the phone.
    ‘Are you all right?’ said Mary.
    ‘Oh, hi, sorry, it’s you. I just got impaled on this fucking matador chair. I can’t see anything in this hotel. They ought to hand out miner’s helmets at the reception.’
    ‘Listen, I’ve got some bad news.’ She paused.
    Patrick lay back on the pillows with a clear intuition of what she was going to say.
    ‘Eleanor died last night. I’m sorry.’
    ‘What a relief,’ said Patrick defiantly. ‘Amongst other things…’
    ‘Yes, other things as well,’ said Mary and she gave the impression of accepting them all in advance.
    They agreed to talk in the morning. Patrick had a fervent desire to be left alone matched only by his fervent desire not to be left alone. He opened the minibar and sat on the floor cross-legged, staring at the wall of miniatures on the inside of the door, shining in the dazzling light of the little white fridge. On shelves next to the tumblers and wine glasses were chocolates, jellybeans, salted nuts, treats and bribes for tired bodies and discontented children. He closed the fridge and closed the cupboard door and climbed carefully onto the red velvet sofa, avoiding the matador chair as best he could.
    He must try not to forget that only a year ago hallucinations had been crashing into his helpless mind like missiles into a besieged city. He lay down on the sofa, clutching a heavily embroidered cushion to his already aching stomach, and slipped effortlessly into the delirious mentality of his little room in the Priory. He remembered how he used to hear the scratch of a metal nib, or the flutter of moth wings on a screen door, or the swish of a carving knife being sharpened, or the pebble clatter of a retreating wave, as if they were in the same room with him, or rather as if he was in the same place as them. There was a broken rock streaked with the hectic glitter of quartz that quite often lay at the foot of his bed. Blue lobsters explored the edges of the skirting board with their sensitive antennae. Sometimes it was whole scenes that took him over. He would picture, for instance, brake lights streaming across a wet road, the smoky interior of a car, the throb of familiar music, a swollen drop of water rushing down the windscreen, consuming the other drops in its path, and feel that this atmosphere was the deepest thing he had ever known. The absence of narrative in

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