smoke, and everyone embraces and Handy shouts. The Circenses Singers are in a goldfinch-colored bus that rumbles to a stop behind the Blue Bus. They pour out. They take out their now-dirtied Adam and Eve puppets, and then two new puppets they’ve made, an ancient man with muttonchops and a gaunt woman with a psychedelic dress. Four new puppeteers have joined; they sing and ring bells, and their song now is even stranger, trembling and breaking in air, making even the spring-fevered birds hush to listen. They finish their tune, and a roar goes up.
Bit sees new people who clamber out of other vehicles, stretch their limbs, grin; two dozen Newbies that Handy picked up on the road. One of the Newbies says, . . . were going to go to the World’s Fair, but, man, this place is way better . . . One begins to clap her hands and breaks into song, and the old, familiar Arcadians catch on and they all sing now: ’Mid pleasures and palaces though we may roam, be it ever so humble, there’s no place like home; and at the end everyone hoots and hollers, and Handy leaps up onto the nose of the Blue Bus with little froggy Helle on his shoulders; she clutches her father’s head and kisses and kisses his thinning crown. With a hat made of little girl, with glasses filled with sunlight, Handy starts one of his raps. My good people, my friends, my Free People, he says. How blessed we are by the Great Goodness in the world to find ourselves together again, at last . . . Bit is in Hannah’s arms, his hand on her hand, and though everyone else watches Handy, Bit watches the old flowers begin to bloom again in his mother’s cheeks, and he can hardly bear it, it is so good.
When Handy finishes, Abe lifts Bit from Hannah’s arms and puts him on his shoulders, and steps up onto the Blue Bus bumper and shouts: Those of us who stayed behind have made you quite a present. Brace yourselves, all ye who went on tour!
Now Peanut and Tarzan roll out the wheelbarrow they decorated in garlands of spring flowers and apple boughs, and they hustle Handy into it and set off at a dead run, and everyone runs beside and behind, and they take turns jostling Handy over the ground to the circular gravel drive at the base of Arcadia House Hill.
Such billows of laughter! Such long-legged joy! Bit clutches at Abe’s hair as his father gallops beneath him.
Then someone puts a blue bandanna over Handy’s eyes, and they chair-carry him up the steps while he chortles. Abe throws open the great door and whips off the bandanna and scoops up Bit so that Bit can feel the heat and pulse of his father’s body, and Abe turns to everyone massed on the Terraces.
We’ve done it, he shouts. We worked ourselves until we were worn out. But we finished Arcadia House, and there’s room enough for a hundred fifty, maybe more, what with the kids’ dorms and the itty-bitty bedrooms, and we even got ourselves a Library and Eatery and toilets and even a generator for a few hours of light and music in the evenings.
The cheer is the loudest thing that Bit has ever known. A stunned expression grows over Handy’s face. His eyes blink fast. This is . . . neat, Handy says, slowly and quietly, to Abe alone.
Under Bit, Abe seems to deflate, his shoulders loosening, his head lowering. The people mass behind them and push them into the Entryway, under the great chandelier. Everyone goes quiet because the room is grand and full of sun, and all the Old Arcadians, the original true believers, remember the holes and the spoor and the darkness, the house splintering around them. This, the contrast, the vastness of the space here that they will never be able to fill, eighty tiny bedrooms, a children’s dormitory; all of this magnificence steals their breath from their lungs.
They scatter. Some find their names on cards on the doors, in Harriet’s calligraphic hand. Others run from room to room to find a place to trade. This new couple wants to be together, these Newbies would like a nicer
Laura Lee
Zoe Chant
Donald Hamilton
Jackie Ashenden
Gwendoline Butler
Tonya Kappes
Lisa Carter
Ja'lah Jones
Russell Banks
William Wharton