knowing about itself. Therefore—and this is the critical point—how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. As typography once dictated the style of conducting politics, religion, business, education, law and other important social matters, television now takes command. In courtrooms, classrooms, operating rooms, board rooms, churches and even airplanes, Americans no longer talk to each other, they entertain each other. They do not exchange ideas; they exchange images. They do not argue with propositions; they argue with good looks, celebrities and commercials. For the message of television as metaphor is not only that all the world is a stage but that the stage is located in Las Vegas, Nevada.
In Chicago, for example, the Reverend Greg Sakowicz, a Roman Catholic priest, mixes his religious teaching with rock ’n’ roll music. According to the Associated Press, the Reverend Sakowicz is both an associate pastor at the Church of the Holy Spirit in Schaumberg (a suburb of Chicago) and a disc jockey at WKQX. On his show, “The Journey Inward,” Father Sakowicz chats in soft tones about such topics as family relationships or commitment, and interposes his sermons with “the sound of Billboard’s Top 10.” He says that his preaching is not done “in a churchy way,” and adds, “You don’t have to be boring in order to be holy.”
Meanwhile in New York City at St. Patrick’s Cathedral, Father John J. O‘Connor put on a New York Yankee baseball cap as he mugged his way through his installation as Archbishop of the New York Archdiocese. He got off some excellent gags, at least one of which was specifically directed at Mayor Edward Koch, who was a member of his audience; that is to say, he was a congregant. At his next public performance, the new archbishop donned a New York Mets baseball cap. These events were, of course, televised, and were vastly entertaining, largely because Archbishop (now Cardinal) O’Connor has gone Father Sakowicz one better: Whereas the latter believes that you don’t have to be boring to be holy, the former apparently believes you don’t have to be holy at all.
In Phoenix, Arizona, Dr. Edward Dietrich performed triple bypass surgery on Bernard Schuler. The operation was successful, which was nice for Mr. Schuler. It was also on television, which was nice for America. The operation was carried by at least fifty television stations in the United States, and also by the British Broadcasting Corporation. A two-man panel of narrators (a play-by-play and color man, so to speak) kept viewers informed about what they were seeing. It was not clear as to why this event was televised, but it resulted in transforming both Dr. Dietrich and Mr. Schuler’s chest into celebrities. Perhaps because he has seen too many doctor shows on television, Mr. Schuler was uncommonly confident about the outcome of his surgery. “There is no way in hell they are going to lose me on live TV,” he said. 2
As reported with great enthusiasm by both WCBS-TV and WNBC-TV in 1984, the Philadelphia public schools have embarked on an experiment in which children will have their curriculum sung to them. Wearing Walkman equipment, students were shown listening to rock music whose lyrics were about the eight parts of speech. Mr. Jocko Henderson, who thought of this idea, is planning to delight students further by subjecting mathematics and history, as well as English, to the rigors of a rock music format. In fact, this is not Mr. Henderson’s idea at all. It was pioneered by the Children’s Television Workshop, whose television show “Sesame Street” is an expensive illustration of the idea that education is indistinguishable from entertainment. Nonetheless, Mr. Henderson has a point in his favor. Whereas “Sesame Street”
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