âmassageâ, as a âchâ as in âlochâ, or as a modern âwâ, âxâ, or âyâ. In Old English manuscripts you can find it sitting alongside the modern-looking Carolingian âgâ doing the same job but also doing these other jobs. Bit by bit, âinsular Gâcombined with the âyoghâ and eventually disappeared altogether, though itâs used in writing modern Irish.
7. ETHEL
This Latin ligature of âoâ and âeâ survived until the 1960s in words borrowed straight from Latin, like âfÅtusâ and âsubpÅnaâ. Originally, it did the job of the double âeeâ, the longer form of the short sound made in the word âkinâ. Like âashâ, it didnât make it to recitations of the alphabet. âEthelâ is the name of the rune that was sounded as âoeâ.
Sometimes, people who talk of lost letters add some symbols devised for syllables and words, the most common of which is the ampersand. I think this is what philosophers would call a category shift. Thatâs to say, though these symbols look like letters being used on the alphabetic principle, they belong in reality to a âsyllabaryâ â the kind of writing system that the ancient Sumerians used: phonological but with signs representing that languageâs syllables. So, pedantically and fussily, Iâm going to leave the ampersand, the âthatâ and the âengâ to another time, another place.
Also nudging to take part in this parade of letter-ghosts is the famous long âsâ of some early print which looks like an âfâ but isnât an âfâ as it has no cross-stroke halfway down its upright, and always indicates an âsâ sound, never an âfâ sound, even though the letter âsâ was available. (See â S is for Signs and Sign Systems â).
⢠âEâ STARTS OUT life 3,800 years ago as a stick man with two arms but only one central leg, a continuation of his body. This is a Semitic letter probably named as âheâ and pronounced âhâ. By the time the Phoenicians get hold of it in 1000 BCE it looks like a reverse form of our âfâ but with two horizontals instead of our one. Itâs still pronounced âhâ. The first ancient Greeks kept this but later either they or the early Romans flipped it. In around 700 BCE the sign came to indicate the sound âeeâ. The Romans created the serif, thin-thick âEâ.
e
Latin manuscripts from around AD 450 start to show the upright stroke bending into a crescent shape until the top two lines join up. It was this shape that the printers of the 1500s took as the lower-case âeâ.
PRONUNCIATION OF THE LETTER-NAME
The Norman French came to Britain pronouncing it along Etruscan lines as âayâ and the Great Vowel Shift explains how it became âeeâ.
PRONUNCIATION OF THE LETTER
In almost all counts, âeâ comes out as Englishâs most popular letter and with the rise of emails and e-commerce (âeâ for electronic) its future at the top of the charts is assured. Itâs present in some of the most commonly used words: âtheâ, âmeâ, âheâ, âsheâ, âweâ, âtheyâ, âthemâ, âherâ, âhersâ, âtheirâ, âtheirsâ, âhereâ, âthereâ, âwhereâ, âsomeâ, âsameâ, âareâ, âbeâ, âhaveâ and âwereâ, along with many past tenses(ending in â-edâ) and plurals ending in â-esâ and â-iesâ. As with all English vowels, âeâ is given many jobs to do, very few of which are 100 per cent consistent. We can be sure that in consonant-vowel-consonant formations like âpegâ and âbetâ, it will be pronounced
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