difficult one.â What could she say? She hardly knew the woman. âOn the surface she seemed very charming. We got on well.â
âYou liked her?â
âYes. She was direct, irreverent, different, I guess.â
âLike you,â Stratton said with a spry smile.
You donât know me any more, she thought sadly. âThere was nothing about her that triggered my alarm signals.â
âUntil the mugging,â Stratton chipped in.
âUh-huh.â
He looked at her with meditative eyes. âYou think the meeting was a ruse?â
âCould have been,â she admitted.
Stratton looked thoughtful. âGot anywhere else to stay?â
âWhatâs wrong with here?â
âYouâre on your own.â
She gave him a level look. âYou think Iâm in danger?â
âIn anyoneâs book, last night was a serious incident, which is why I donât feel comfortable about you not reporting it.â He leant towards her. âI hear what youâre saying, and, sadly, knowing how sensitive cops are about corruption, I agree with your general conclusion, but isnât it worth giving Harmonâ¦â
âNo,â she burst out. âIâve just told youâ¦â
âOkay, okay,â he said putting up a hand defensively. He watched her for a moment. âAll right,â he said slowly. âIâll do some discreet digging.â
âThanks, Joe,â she said, trying to contain the relief in her voice. âIs this going to cause a problem between you and Harmon?â
âNot at the moment,â Stratton said. âDepends what I unearth.â
âBut you might need to share it with her?â
âI might,â he said neutrally. Except, Helen thought, the very rigid nature of police hierarchy meant that Stratton could always pull rank. Breakdowns in communication were not uncommon. He could play it however he chose. âGot an address for this Freya woman?â
âHer details are in the studio,â she said, getting stiffly to her feet.
âAnd Iâd like her number,â he said. âCan I borrow these?â he asked, holding up the contact sheets.
âSure.â
When she returned, he was still studying the proofs. âIâve written down my mobile number for you,â he said, âeasier than going through the switchboard.â
And easier to keep it quiet, she thought.
âYou always shoot in black and white?â
She shook her head. âMost of my workâs colour. Black and white is generally for the purists. They reckon you get more of an artistic effect. It allows the photographer to let his subject impress his or her personality on the picture, give it more of a visual impact. From a practical perspective, itâs also cheaper to produce.â
âWhy do you think Freya Stephens chose this particular medium?â
Good question, she thought. âWith hindsight, Iâd say she had a taste for drama. She wanted to create an impact.â
And she certainly did, Helen thought.
CHAPTER SIX
S HE WAS DUE AT her parents for lunch. A New Yearâs Day ritual, enshrined in family history, it was designed so that her mother could recover from one hangover before embarking on the next. Several of her parentsâ close friends joined them and Helen attended with whichever boyfriend she was dating at the time. For the past two years Martin had accompanied her. It felt strange, this time, to be alone.
With her left hip and leg so badly bruised, she wasnât entirely certain how she was going to drive. Changing the clutch would be painful but what bothered her most was her cover story. She really wanted to come clean but she couldnât afford to, because, aside from her mother, who was spooked out enough already, she feared her fatherâs reaction. Her dad was a doer. He expected results. He was not good at delegation, especially when it came to his
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