Abracadaver

Abracadaver by Peter Lovesey

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Authors: Peter Lovesey
Tags: Mystery
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Body’s elocution, like her hair, was a fraction too fussy. ‘The singing you can hear is part of an entertainment they are rehearsing. One never really retires from the theatre, you know. The banging is not part of the performance. I have the gasman here.’
    ‘On Sunday, Ma’am? That’s irregular.’
    ‘Yes, but leaks of gas are no respecters of Lord’s Day observance. The gasman tells me it could be dangerous if neglected. Now please sit down and tell me how I can help you.’
    Thackeray selected an upright chair to the side of the arm-chair Cribb took. Upholstered furniture seemed inappropriate to the rank of constable when solid woodwork was available. Mrs Body addressed him: ‘You are sitting on one of our most precious relics, Mr Thackeray. No, it is quite in order for you to use it. Do not get up. That is the very chair W. G. Ross used to sit on in the forties when he sang the Ballad of Sam Hall at the Cider Cellars.’
    ‘The condemned sweep,’ said Cribb.
    ‘You remember it! Splendid! Mr Cribb, you are a connoisseur of the variety stage, I declare!’
    ‘That would be overstating it, Ma’am. My interest in Sam Hall is more for his criminal record than his legend in song. It’s a fine collection of music hall items that you have, even so. Would that be a lime-tank doing service as a coal-scuttle in the grate, there?’
    She clapped her hands. ‘You are knowledgeable! They must have sent you specially. I do hope I can help you find some of your missing persons and then you can keep coming back to talk to me.’
    The Sergeant’s interrogations rarely took such a personal turn. Was that a touch of colour rising to his cheeks? Thackeray forbore from peering too closely. Firelight, surely.
    Applause broke out in the room next door, strikingly raucous for Sunday afternoon, even among music hall performers. But this gave way to a rich bass-baritone rendering of one of John Orlando Parry’s most popular polite comic songs.
    ‘Wanted a governess, fitted to fill—’ when, inexplicably, an outbreak of giggling interrupted the soloist. He managed to sing ‘The post of tuition with competent skill’ and was again forced to stop for the noisy reaction of his audience. ‘In a gentleman’s family highly genteel,’ he began again, ‘Where ’tis hoped that the lady will try to conceal—’ when ungovernable laughter made it impossible to continue. How a simple ballad gave rise to such guffaws defied the imagination.
    ‘Excuse me.’ Mrs Body got up decisively from her chair, crossed the room to the connecting door and marched into the uproar, which stopped almost at once. Only the hammering from a room on the opposite side continued.
    ‘Look at the gasman quick!’ ordered Cribb, striding to the door Mrs Body had used. ‘I’ll stand watch.’
    Thackeray reacted instantly, almost upending W. G. Ross’s chair in the process. He opened the door, and looked into a long, panelled dining-room. Several tables were laid for dinner. Silver candelabra stood among the table-ornaments. At the near end, in a fine mist of dust, was the gasman, in overalls, standing knee-deep in the foundations, half-a-dozen floor-boards prised open around him. He turned, hammer in hand, and winked. Major Chick!
    ‘Slap bang in the enemy camp, eh?’ said the Major in a stage-whisper. ‘I’m full of surprises, Constable.’ Thackeray closed the door and gave a long-suffering nod in answer to Cribb’s uplifted eyebrows.
    ‘You will excuse me, rushing out like that?’ said Mrs Body, re-entering. ‘They were quite unaware that their little concert was disturbing us.’
    ‘Are your guests exclusively masculine?’ asked Cribb, fingering a pair of ballet-shoes that were attached to the side of the mantelpiece with several others, reminiscent of shot rats on a barn door.
    ‘No, no. I take anyone who is temporarily incommoded. As it happens, I have nine ladies in residence at present. But there has never been a breath of anything

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