Abbotsford and Newstead Abbey by Washington Irving

embellishments. There were the stone-shafted casements and the deep bow-window of former times. The carved and panelled wood-work of the lofty ceiling had likewise been carefully restored, and its Gothic and grotesque devices painted and gilded in their ancient style.
    Here, too, were emblems of the former and latter days of the Abbey, in the effigies of the first and last of the Byron line that held sway over its destinies. At the upper end of the saloon, above the door, the dark Gothic portrait of “Sir John Byron the Little with the great Beard,” looked grimly down from his canvas, while, at the opposite end, a white marble bust of the genius loci , the noble poet, shone conspicuously from its pedestal.
    The whole air and style of the apartment partook more of the palace than the monastery, and its windows looked forth on a suitable prospect, composed of beautiful groves, smooth verdant lawns, and silver sheets of water. Below the windows was a small flower-garden, inclosed by stone balustrades, on which were stately peacocks, sunning themselves and displaying their plumage. About the grass-plots in front, were gay cock pheasants, and plump partridges, and nimble-footed water hens, feeding almost in perfect security.
    Such was the medley of objects presented to the eye on first visiting the Abbey, and I found the interior fully to answer the description of the poet—
    “The mansion’s self was vast and venerable,
With more of the monastic than has been
Elsewhere preserved; the cloisters still were stable,
The cells, too, and refectory, I ween;
An exquisite small chapel had been able,
Still unimpair’d, to decorate the scene;
The rest had been reformed, replaced, or sunk,
And spoke more of the friar than the monk.
    “Huge halls, long galleries, spacious chambers, joined
By no quite lawful marriage of the arts,
Might shock a connoisseur; but when combined
Formed a whole, which, irregular in parts,
Yet left a grand impression on the mind,
At least of those whose eyes were in their hearts.”
    It is not my intention to lay open the scenes of domestic life at the Abbey, nor to describe the festivities of which I was a partaker during my sojourn within its hospitable walls. I wish merely to present a picture of the edifice itself, and of those personages and circumstances about it, connected with the memory of Byron.
    I forbear, therefore, to dwell on my reception by my excellent and amiable host and hostess, or to make my reader acquainted with the elegant inmates of the mansion that I met in the saloon; and I shall pass on at once with him to the chamber allotted me, and to which I was most respectfully conducted by the chamberlain.
    It was one of a magnificent suite of rooms, extending between the court of the cloisters and the Abbey garden, the windows looking into the latter. The whole suite formed the ancient state apartment, and had fallen into decay during the neglected days of the Abbey, so as to be in a ruinous condition in the time of Lord Byron. It had since been restored to its ancient splendor, of which my chamber may be cited as a specimen. It was lofty and well proportioned; the lower part of the walls was panelled with ancient oak, the upper part hung with gobelin tapestry, representing oriental hunting scenes, wherein the figures were of the size of life, and of great vivacity of attitude and color.
    The furniture was antique, dignified, and cumbrous. High-backed chairs curiously carved, and wrought in needlework; a massive clothes-press of dark oak, well polished, and inlaid with landscapes of various tinted woods; a bed of state, ample and lofty, so as only to be ascended by a movable flight of steps, the huge posts supporting a high tester with a tuft of crimson plumes at each corner, and rich curtains of crimson damask hanging in broad and heavy folds.
    A venerable mirror of plate glass stood on the toilet, in which belles of former centuries may have contemplated and decorated their charms. The