to within five feet of Rivera he pointed his revolver at him and fired.
The accordion blared grotesquely down a scale. Rivera sagged at the knees and fell. The accordion crashed a final chord and was silent.
At the same moment as the shot was fired the tenor saxophonist played a single shrill note and sat down. Lord Pastern, apparently bewildered, looked from the recumbent Rivera to the saxophonist, paused for a second and then fired three more blanks. The pianist, the trombone, and finally the double-bass each played a note in a descending scale and each imitated a collapse.
There was a further second’s pause. Lord Pastern, looking very much taken-aback, suddenly handed the revolver to Bellairs, who pointed it at him and pulled the trigger. The hammer clicked but there was no discharge. Bellairs aped disgust, shrugged his shoulders, looked at the revolver and broke it open. It discharged its shells in a little spurt. Breezy scratched his head, dropped the revolver in his pocket and made a crisp gesture with his baton hand.
“Yipes,” Lord Pastern shouted. The band launched itself into a welter of noise. He darted back and flung himself at his tympani. The spot light concentrated upon him. The metronome, which had been motionless until now, suddenly swung its long arm. Tick-tack, tick-tack, it clacked. A kaleidoscopic welter of coloured lights winked and flickered along its surface and frame. Lord Pastern went madly to work on the drums.
“Hell!” Edward ejaculated. “At this pace he’ll kill himself.”
Breezy Bellairs had got a large artificial wreath. Dabbing his eyes with his handkerchief he knelt by Rivera, placed the wreath on his chest and felt his heart. He bent his head, groped frantically inside the wreath and then looked up with a startled expression in the direction of the tympani, where the spot light revealed Lord Pastern in an ecstatic fury, wading into his drums. His solo lasted about eighty seconds. During this time four waiters had come in with a stretcher. Bellairs spoke to them excitedly. Rivera was carried off while the saxophones made a grotesque lugubrious sobbing and Lord Pastern, by hitting his big drum and immediately releasing the tension, produced a series of muffled groans.
The metronome clacked to a standstill, the restaurant lights went up and the audience applauded generously. Breezy, white to the lips and trembling, indicated Lord Pastern, who joined him, glistening with sweat, and bowed. Breezy said something inaudible to him and to the pianist and went out, followed by Lord Pastern. The pianist, the double-bass and the three saxophonists began to play a dance tune.
“Good old George!” cried Félicité. “I think he was superb,
Maman
darling, don’t you? Ned, wasn’t he heaven?”
Edward smiled at her. “He’s astonishing,” he said, and added: “Cousin G, do you mind if Lisle and I dance? You will, won’t you, Lisle?”
Carlisle put her hand on his shoulder and they moved away. The headwaiter slid past them and stooped for a moment over a man at a table further down the room. The man rose, let his eyeglass fall and, with a preoccupied look, passed Carlisle and Edward on his way to the vestibule.
They danced in silence, companionably. At last Edward said: “What will he do next, do you suppose? Is there anything left?”
“I thought it dreadfully pathetic.”
“Quintessence of foolery. Lisle, I haven’t had a chance to talk to you about that business before we left. I suppose I oughtn’t to have hit the fellow, considering the set-up with Fée, but really it was a bit too much. I’m sorry if I made an unnecessary scene, but I must say I enjoyed it.” When she didn’t answer, he said uncertainly: “Are you seriously annoyed? Lisle, you didn’t by any chance…”
“No,” she said. “No, I didn’t. I may as well confess I was extremely gratified.” His hand tightened on hers. “I stood,” she added, “in the door of my cave and preened
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