A Song for Lya by George R. R. Martin

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A Song for Lya
by George R. R. Martin
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Science Fiction
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    Copyright ©
    First published in Analog Science Fiction/Fact, 1974

     
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    A Song for Lya
    By George R.R. Martin
    The cities of the Shkeen are old, older far than man's, and the great rust-red metropolis that rose from their sacred hill country had proved to be the oldest of them all. The Shkeen city had no name. It needed none. Though they built cities and towns by the hundreds and the thousands, the hill city had no rivals. It was the largest in size and population, and it was alone in the sacred hills. It was their Rome, Mecca, Jerusalem; all in one. It was the city, and all Shkeen came to it at last, in the final days before Union.
    That city had been ancient in the days before Rome fell, had been huge and sprawling when Babylon was still a dream. But there was no feel of age to it. The human eye saw only miles and miles of low, red-brick domes; small hummocks of dried mud that covered the rolling hills like a rash. Inside they were dim and nearly airless. The rooms were small and the furniture crude.
    Yet it was not a grim city. Day after day it squatted in those scrubby hills, broiling under a hot sun that sat in the sky like a weary orange melon; but the city teemed with life: smells of cooking, the sounds of laughter and talk and children running, the bustle and sweat of brickmen repairing the domes, the bells of the Joined ringing in the streets. The Shkeen were a lusty and exuberant people, almost childlike. Certainly there was nothing about them that told of great age or ancient wisdom. This is a young race, said the signs, this is a culture in its infancy.
    But that infancy had lasted more than fourteen thousand years.
    The human city was the real infant, less than ten Earth years old. It was built on the edge of the hills, between the Shkeen metropolis and the dusty brown plains where the spaceport had gone up. In human terms, it was a beautiful city: open and airy, full of graceful archways and glistening fountains and wide boulevards lined by trees. The buildings were wrought of metal and colored plastic and native woods, and most of them were low in deference to Shkeen architecture. Most of them ... the Administration Tower was the exception, a polished blue steel needle that split a crystal sky.
    You could see it for miles in all directions. Lyanna spied it even before we landed, and we admired it from the air. The gaunt skyscrapers of Old Earth and Baldur were taller, and the fantastic webbed cities of Arachne were far more beautiful—but that slim blue Tower was still imposing enough as it rose unrivaled to its lonely dominance above the sacred hills.
    The spaceport was in the shadow of the Tower, easy walking distance. But they met us anyway. A low-slung scarlet aircar sat purring at the base of the ramp as we disembarked, with a driver lounging against the stick. Dino Valcarenghi stood next to it, leaning on the door and talking to an aide.
    Valcarenghi was the planetary administrator, the boy wonder of the sector. Young, of course, but I'd known that. Short, and good-looking, in a dark, intense way, with black hair that curled thickly against his head and an easy, genial smile.
    He flashed us that smile then, when we stepped off the ramp, and reached to shake hands. “Hi,” he began, “I'm glad to see you.” There was no nonsense with formal introductions. He knew who we were, and we knew who he was, and Valcarenghi wasn't the kind of man who