and watch an old movie. Maybe the networks play Same Time, Next Year the same time every year, to be clever.
Mallory is about to follow Cooper inside, but Jake grabs her hand. “Can I talk to you for a second?”
She bounces on her toes. “He sure was easy to get rid of.”
“Mal, seriously.”
“Seriously what?”
“I noticed the board shorts hanging in the outdoor shower, and I want to make sure there won’t be some guy in there waiting to kick the shit out of me.”
“Ah,” she says. “Those belong to JD.”
Jake waits.
“The rescue officer, from last year.”
Jake was afraid of that.
“We’re dating,” Mallory says. “Casually.”
“But not too casually—because he showers at your house and leaves his clothes behind.”
“Well, we’re not engaged or planning to get engaged,” Mallory says. “And…he’s away this weekend, at my suggestion, mountain-biking with his buddies.” She grins. “So you’re safe.”
“We’re the only two people on earth,” Jake says.
“And this weekend is going to last forever,” Mallory says. “Let’s go dance.”
Summer #3: 1995
What are we talking about in 1995? The Oklahoma City bombing; Bosnia, Serbia; molten chocolate cake; the Macarena; Windows 95; Des’ree; the Unabomber; Yitzhak Rabin; Toy Story; Selena; Bye, Felicia; Steve Young; Eight-Minute Abs; Yahoo!; Jerry Garcia; Frasier, Niles, Lilith, Daphne, and Roz; The Bridges of Madison County; O. J. Simpson found innocent by a jury of his peers.
W hen we check in with our girl at the beginning of 1995, we are cheered to see how well things are going for her.
Mallory is now—after Mr. Falco’s retirement and four months of traveling to the Cape twice a week for her certification classes—a real teacher. She joined the union and attends faculty meetings; she overprepares the night before the principal, Dr. Major, comes to observe her class. On Tuesdays and Thursdays, she’s the cafeteria monitor, and she accepts bribes from the kids in the form of Cheetos and Hostess cupcakes. She stands over anyone with pizza and sings “Ain’t Too Proud to Beg” until the student offers up the crispiest piece of pepperoni. At the end of each school day, Mallory swings by the guidance office to debrief with Apple; sometimes they gossip, sometimes they vent, sometimes they have constructive conversations about how to better reach the kids. On Friday afternoons, Mallory and Apple go to happy hour at the Pines. They order beers and mozzarella sticks and toast to another week survived as though they are living in a combat zone—life with 112 teenagers—and Apple will say, “Only twenty-seven [or “nineteen” or “twelve”] weeks until summer vacation.”
Mallory is almost embarrassed to admit it, but she doesn’t want the school year to end. She starts off each class by reading a poem and asking the kids to react to it. She chooses Nikki Giovanni, Gwendolyn Brooks, William Carlos Williams, Audre Lorde, Linda Pastan, Eldridge Cleaver, Robert Bly, and everyone’s absolute favorite, Langston Hughes. Mallory photocopies short stories by Joyce Carol Oates, Maxine Hong Kingston, John Updike. They discuss editorials in the New York Times . They read The Member of the Wedding by Carson McCullers, which only a few of the kids warm to, and then they read The Handmaid’s Tale, which is a crowd favorite. Dystopia, Mallory thinks. Teenagers love dystopia, the world as they know it falling apart at the seams. Her students keep journals in which they relate passages of what they’ve read to their own lives. They write short stories, sonnets, personal essays, persuasive essays, haiku (which they like because they’re short), and one research paper, mandated by the state, which makes the kids stressed and peevish, and the unit falls in the middle of March, when everyone on Nantucket hates everyone else anyway.
Mallory is popular because she’s young, because she’s “cool,” because she wears long
Fuyumi Ono
Tailley (MC 6)
Robert Graysmith
Rich Restucci
Chris Fox
James Sallis
John Harris
Robin Jones Gunn
Linda Lael Miller
Nancy Springer