glide over the still pond surface. The older boys were there, their long tending sticks in their hands, whispering among themselves and smirking. But not Léo. It had become cooler. Light had faded from the crenellated roof line of the École Supérieure des Mines, and soon it would be dark. The man having his picture taken was walking away with the photographer. Austin had been engrossed in thought and had lost sight of little Léo, who was, he was certain, somewhere nearby.
He looked at his watch. It was six twenty-five, and Joséphine could now be home. He scanned back along the row of apartment blocks, hoping to find her window, thinking he might see her there watching him, waving at him happily, possibly with Léo at her side. But he couldn't tell which building was which. One window he could see was open and dark inside. But he couldn't be sure. In any case, Joséphine wasn't framed in it.
Austin looked all around, hoping to see the white flash of Léo's T-shirt, the careening red Cadillac. But he saw only a few couples walking along the chalky paths, and two of the older boys carrying their sailboats home to their parents’ apartments. He still heard tennis balls being hit—
pockety pock.
And he felt cold and calm, which he knew to be the feeling of fear commencing, a feeling that could rapidly change to other feelings that could last a long, long time.
Léo was gone, and he wasn't sure where. “Leo,” he called out, first in the American way, then “Lay-oo,” in the way his mother said.
“O êtes-vous?”
Passersby looked at him sternly, hearing the two languages together. The remaining sailboat boys glanced around and smiled. “Lay-oo!” he called out again, and knew his voice did not sound ordinary, that it might sound frightened. Everyone around him, everyone who could hear him, was French, and he couldn't precisely explainto any of them what was the matter here: that this was not his son; that the boy's mother was not here now but was probably close by; that he had let his attention stray a moment.
“Lay-oo,” he called out again.
“O êtes-vous?”
He saw nothing of the boy, not a fleck of shirt or a patch of his dark hair disappearing behind a bush. He felt cold all over again, a sudden new wave, and he shuddered because he knew he was alone. Léo—some tiny assurance opened in him to say—Léo, wherever he was, would be fine, was probably fine right now. He would be found and be happy. He would see his mother and immediately forget all about Martin Austin. Nothing bad had befallen him. But he, Martin Austin, was alone. He could not find this child, and for him only bad would come of it.
Across an expanse of grassy lawn he saw a park guardian in a dark-blue uniform emerge from the rhododendrons beyond which were the tennis courts, and Austin began running toward him. It surprised him that he was running, and halfway there quit and only half ran toward the man, who had stopped to permit himself to be approached.
“Do you speak English?” Austin said before he'd arrived. He knew his face had taken on an exaggerated appearance, because the guardian looked at him strangely, turned his head slightly, as though he preferred to see him at an angle, or as if he were hearing an odd tune and wanted to hear it better. At the corners of his mouth he seemed to smile.
“I'm sorry,” Austin said, and took a breath. “You speak English, don't you?”
“A little bit, why not,” the guardian said, and then he did smile. He was middle-aged and pleasant-looking, with a soft suntanned face and a small Hitler mustache. He wore a French policeman's uniform, a blue-and-gold kepi, a white shoulder braid and a white lanyard connected to his pistol. He was a man who liked parks.
“I've lost a little boy here someplace,” Austin said calmly, though he remained out of breath. He put the palm of his right hand to his cheek as if his cheek were wet, and felt his skin to be cold. He turned and looked again at the
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