debriefed the coroner, Dr. Irwin Golden.
Had this been a preliminary hearing, we wouldn’t even have bothered calling the coroner. Cause of death is almost never in dispute, so the defense usually agrees to stipulate to the medical examiner’s testimony. The prosecutor usually reads the coroner’s conclusion into the record. Since there are no defense attorneys present at a grand jury proceeding, however, a prosecutor has to protect the record, and the rights of the defendant, by giving all the witnesses a critical questioning.
Neither David nor I had worked with Dr. Golden before. The truth is, most coroners are not Quincy. After all, what happens if they screw up? The patient lives?
The morning we put Golden on we had not given his file a thorough going-over. David, in fact, received the report only minutes before putting him on the stand. One thing immediately struck us as strange. The coroner’s investigator had reported that Nicole Brown Simpson was alive at eleven P.M., when she had spoken to her mother. If this were true, of course, Simpson would be in the clear, since he had been spotted at Rockingham at that hour. The coroner’s estimate seemed too late. (In fact, phone records would show that Nicole and her mother had spoken at around 9:45 P.M.) Now, a coroner’s report is not like a police investigative file, and these kinds of mistakes are common. Still, they give the defense something to seize upon. And we would learn, in the days and weeks ahead, that the coroner’s report was, in fact, riddled with errors.
I sat at counsel’s table while David questioned Golden, a serious, horse-faced man whose speech was marked by long pauses. What I remember most about the testimony that afternoon was not the witness, but the exhibits—the pictures of the victims. David had organized and mounted the autopsy photos on a strip of cardboard. It was a stroke of superb lawyering. Up until then, I’d been busy with the criminalists and hadn’t even seen those unforgettable, gruesome photos.
“Good God,” I whispered to myself. For the first time, I saw the wreckage of Ron Goldman’s body. The gashes to the head, the gaping slices cut into his neck from ear to ear. Stab wounds to the left thigh and abdomen had soaked his shirt and pants in blood. In death, his eyes remained open. The killer had waged a merciless assault against an unarmed, unsuspecting victim, a victim who was rapidly trapped in a cagelike corner of metal fencing and slaughtered. Whether the motive was sexual jealousy or the need to eliminate a witness, this killer had made a ruthless determination: Ron Goldman would die.
While Goldman’s wounds suggested that the killer had been in a frenzy to kill him, Nicole’s did not. The attack had been swift, smooth, and efficient. There were no hesitation marks, no half cuts or superficial throat wounds that might have shown uncertainty. Her killer did not romance the deed. Nicole had apparently been swept up, thrown down, slashed at the throat, and dropped at the foot of the steps.
I had looked on literally thousands of coroner’s photographs over the years. None were worse than the last pictures taken of Nicole Brown. Her face was a grotesque white—no wonder, since she’d bled out nearly 90 percent. The slash across her neck had nearly decapitated her. She lay there, disjointed, like a marionette discarded by the puppeteer. I had a mental flash of the photo of her that hung by the stairs at Rockingham. I recalled her bright, glossy features. That was a rich man’s wife, someone to whom I couldn’t relate. Now, as I saw her frail and broken in death, I felt a surge of helpless anger.
I fought back the feeling. Times like this call for cool reason. The last thing you can afford is too much feeling.
I drove home that night feeling dejected. Next to me was a stack of files and documents high enough to qualify me for the car-pool lane. The cell phone rang, but I didn’t pick it up. I’d answer
Had this been a preliminary hearing, we wouldn’t even have bothered calling the coroner. Cause of death is almost never in dispute, so the defense usually agrees to stipulate to the medical examiner’s testimony. The prosecutor usually reads the coroner’s conclusion into the record. Since there are no defense attorneys present at a grand jury proceeding, however, a prosecutor has to protect the record, and the rights of the defendant, by giving all the witnesses a critical questioning.
Neither David nor I had worked with Dr. Golden before. The truth is, most coroners are not Quincy. After all, what happens if they screw up? The patient lives?
The morning we put Golden on we had not given his file a thorough going-over. David, in fact, received the report only minutes before putting him on the stand. One thing immediately struck us as strange. The coroner’s investigator had reported that Nicole Brown Simpson was alive at eleven P.M., when she had spoken to her mother. If this were true, of course, Simpson would be in the clear, since he had been spotted at Rockingham at that hour. The coroner’s estimate seemed too late. (In fact, phone records would show that Nicole and her mother had spoken at around 9:45 P.M.) Now, a coroner’s report is not like a police investigative file, and these kinds of mistakes are common. Still, they give the defense something to seize upon. And we would learn, in the days and weeks ahead, that the coroner’s report was, in fact, riddled with errors.
I sat at counsel’s table while David questioned Golden, a serious, horse-faced man whose speech was marked by long pauses. What I remember most about the testimony that afternoon was not the witness, but the exhibits—the pictures of the victims. David had organized and mounted the autopsy photos on a strip of cardboard. It was a stroke of superb lawyering. Up until then, I’d been busy with the criminalists and hadn’t even seen those unforgettable, gruesome photos.
“Good God,” I whispered to myself. For the first time, I saw the wreckage of Ron Goldman’s body. The gashes to the head, the gaping slices cut into his neck from ear to ear. Stab wounds to the left thigh and abdomen had soaked his shirt and pants in blood. In death, his eyes remained open. The killer had waged a merciless assault against an unarmed, unsuspecting victim, a victim who was rapidly trapped in a cagelike corner of metal fencing and slaughtered. Whether the motive was sexual jealousy or the need to eliminate a witness, this killer had made a ruthless determination: Ron Goldman would die.
While Goldman’s wounds suggested that the killer had been in a frenzy to kill him, Nicole’s did not. The attack had been swift, smooth, and efficient. There were no hesitation marks, no half cuts or superficial throat wounds that might have shown uncertainty. Her killer did not romance the deed. Nicole had apparently been swept up, thrown down, slashed at the throat, and dropped at the foot of the steps.
I had looked on literally thousands of coroner’s photographs over the years. None were worse than the last pictures taken of Nicole Brown. Her face was a grotesque white—no wonder, since she’d bled out nearly 90 percent. The slash across her neck had nearly decapitated her. She lay there, disjointed, like a marionette discarded by the puppeteer. I had a mental flash of the photo of her that hung by the stairs at Rockingham. I recalled her bright, glossy features. That was a rich man’s wife, someone to whom I couldn’t relate. Now, as I saw her frail and broken in death, I felt a surge of helpless anger.
I fought back the feeling. Times like this call for cool reason. The last thing you can afford is too much feeling.
I drove home that night feeling dejected. Next to me was a stack of files and documents high enough to qualify me for the car-pool lane. The cell phone rang, but I didn’t pick it up. I’d answer
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