angry with him. But before Iâd had a chance to chastise him for his heartlessness, Anne Curtis herself came over to join us.
She was English, but so dark of complexion and coloring Iâd always thought she must have Mediterranean or Middle Eastern ancestry. She was with the BBC World Service, and was a brilliant radio journalist. On various occasions sheâd tried to be friendly, but Iâd never warmed to her. There was something about her that struck me as being untrustworthy, although I had nothing specific to go on. It was just an instinctive feeling on my part.
But it was quite obvious she had warmed to Tony.
She had squeezed in between the two of us when Frank had very gallantly pulled up a chair for her, and although Tony had remained cool and detached, the look in her eyes had told me plenty.
I had guessed at once that they were embroiled in a hot affair; this suspicion was confirmed later that evening, when we did finally go out to dinner, dragging Frank Petersen along with us. Anne had left little to anyoneâs imagination. The manner in which she had drooled over Tony, in the most disgusting and juvenile way, had telegraphed everything to me. And to Frank, who had appeared to be somewhat embarrassed by her performance. Yet Iâd had to hand it to Tony that night. He hadnât batted an eyelash; whatâs more, he had appeared so completely indifferent to her, it was quite amazing. He deserves an Academy Award, I thought at the time.
The following day Iâd run into Anne in the lobby of the Commodore Hotel, and she had attacked me verbally, berating me in the worst way and accusing me of being a spoilsport. âYou donât have to tell me you didnât enjoy the evening,â she had announced, glaring at me. âIt was written all over your face. You made us all suffer, constantly going on about Bill Fitzgerald. Poor Frank didnât know how to cope. He is Billâs best friend, you know.â
âOf course Frank knew how to handle it,â Iâd exclaimed, glaring back at her. âMostly I think he was cringing at your behavior.â
âYou canât have him, my dear,â she had cried heatedly, leaning into me almost threateningly. âTony belongs to me. Heâs mine and I intend to keep him. Permanently. So just keep your jealous little paws off him, Valentine. Understand me, kiddo?â
I remember I had stared at her aghast, told her sheâd gotten it all wrong, and then hurried off mortified. I was furious not only with her, but with Tony as well, for putting me in such an untenable position.
And I had continued to seethe about that evening for quite a while. Anneâs accusations didnât particularly bother me in the long run, since they were patently ridiculous, but what did upset me was Tonyâs callousness, his lack of concern for Bill Fitzgerald.
I began to despise myself for going to that dinner, for being a party to it under the circumstances. I also continued to be disturbed by Tonyâs behavior, his thoughtlessness that night. But eventually I let it go, and soon I found myself making excuses for him . . . as war photographers we lived with constant danger, took terrible chances when we hurled ourselves into the fray on the front lines or in disaster areas. And so, in a certain way, we did become inured to tragedy, perhaps because there was so much of it around us. Tragedy was commonplace for journalists like us, human suffering the norm.
IV
Reaching for Tonyâs photograph once more, I gave it a quick glance, then opened a drawer in the desk and placed it inside. Sometimes it seemed to me that his brilliant dark eyes followed me as I moved around my bedroom. It was most disconcerting.
Perhaps I ought to take it out of the frame and tear it up. Yes, I would do that, I decided. I would tear up every one of his photographs and destroy those little notes and letters and cards heâd sent me this past year.
Jackie Ivie
James Finn Garner
J. K. Rowling
Poul Anderson
Bonnie Dee
Manju Kapur
The Last Rake in London
Dan Vyleta
Nancy Moser
Robin Stevenson