Bloomsfield should choose this particular moment to pay you a visit.”
She set aside her teacup. “Actually, I went to see him this afternoon, but he was out. So technically, he was returning my call.”
“Ah.” His gaze went beyond her, to where Eisler’s tattered old manuscript lay on the table near the bowed front window. “I take it you showed him the manuscript?”
“I did. He says it’s called
The Key of Solomon
and it does indeed appear to be some sort of magic handbook.”
“So you were right,” said Sebastian, going to pick it up.
“I was, although I’m afraid poor Mr. Bloomsfield was quite shocked by the contents. He translated a few passages for me, then refused to have anything more to do with it.”
“Had he heard of it before?”
She shook her head. “No. But he found an inscription inside the frontpiece that indicates it was copied in Amsterdam. He says it’s written in Sephardic cursive script.” She came to watch as he leafed through the strange text. “I have a friend named Abigail McBean who is something of an expert on these old magic texts. She told me once that they’re called ‘grimoires’ and—” She broke off, her eyes narrowing as he looked up at her and smiled. “What’s so funny?”
At that, he laughed out loud. She was friends with a motley collection of brilliant, fascinating, and decidedly unfashionable people, from scholars and poets to reformers and artists. She knew geologists and architects, antiquaries and engineers; he should have expected that she’d be acquainted with at least someone whose specialty was ancient magic texts.
The amusement faded as it occurred to him that there was something decidedly off about a man accepting his wife’s help in his attempts to prove the innocence of his former mistress’s new husband. He said, “You don’t need to be doing this.”
She reached over to tweak the manuscript from his grasp. “Yes, I do.”
She started to turn away from the window, the book in her hands, then paused, her gaze on the darkening scene outside.
The rain had settled into a steady downpour, the clouds hanging dark and low to steal whatever light had been left in the sky. Women with shawls pulled over their heads hurried through the gathering gloom, their pattens clicking, the murky glow from the oil lamps reflecting in a dull gleam off rain-washed paving stones. A landau emblazoned with a coronet and drawn by a matched team of dapple grays dashed past, its spinning red wheels throwing up a fan of water from the gutter to spray over the footpath. It wet the trouser legs of a man standing near the area steps of the house across the street, his slouch hat pulled low over his face. He neither flinched nor moved but simply stood, his gaze fixed on their house.
“What is it?” Sebastian asked, watching Hero’s expression change.
“That man. He’s been standing there staring at the house for nearly an hour. I noticed him when I was showing Mr. Bloomsfield the manuscript. We brought it here to the window so that he could catch the last of the daylight and—”
But Sebastian was already pushing away from the window to stride rapidly toward the door.
Chapter 18
S
ebastian walked out of the house into a wild wind that threw rain in his face and flapped the tails of his coat. A whip cracked, a shaggy team of shire horses filling the road in front of him so that he had to pull up sharply at the edge of the footpath, swearing impatiently as he ducked around the laden coal wagon. He half expected the slouch-hatted watcher to have disappeared into the mist by the time he reached the far side of the street. But the man was still there, his rain-darkened coat huge on his skeletally thin frame, his mouth pulled wide into a madman’s grin as he waited for Sebastian to walk up to him.
“Who the bloody hell are you and why are you watching my house?” Sebastian demanded, coming to a halt in front of him.
“It’s funny you should be asking
Kim Harrison
Lacey Roberts
Philip Kerr
Benjamin Lebert
Robin D. Owens
Norah Wilson
Don Bruns
Constance Barker
C.M. Boers
Mary Renault