Voices in a Haunted Room

Voices in a Haunted Room by Philippa Carr Page A

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Authors: Philippa Carr
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cause célèbre some years before.
    He had many interesting stories to tell me, and I felt I was seeing London as I never had before. I loved our leisurely walks through the streets of the City when he would point out those historic spots which had been the scene of much of our country’s history. There was that spot in what had been Pudding Lane, where the great fire of London had broken out in a baker’s shop at one o’clock in the morning of a Monday and raged through the City until the following Thursday. David could talk vividly, and he made me see the raging furnace and the terrified people running from their houses, the craft on the river and finally the experiments with gunpowder which had demolished the houses straight ahead of the fire and so stopped its progress. We visited the new St. Paul’s, which had replaced the old one—a magnificent example of the work of Christopher Wren.
    To be with David was like reliving history.
    We strolled past Carlton House, and paused to admire the colonnade of single pillars—one of the houses of the Prince of Wales, and which had previously been the residence of Frederick Prince of Wales, who had died before he could reach the throne. Here was a link with Kingston House because the notorious Duchess had been maid of honour to the Princess of Wales—so she, too, had lived in this splendid Carlton House.
    Dickon had many associates in London and some of them were eager to entertain members of his family while we were there; but because we were so newly married they guessed, quite rightly, that we would prefer to have a few days to ourselves—and they respected this. So for those first few days of that week we were alone, and I think they were the most enjoyable, which delighted me because they confirmed that I had been right in marrying David. The more we were together, the more at one we seemed to become. He was, of course, moulding my tastes to fit his; but it was gratifying that I had no difficulty in accepting his guidance. I was very happy, during those days. “The days of my innocence,” I called them later; that was when I would be overcome by a passionate desire to escape from what I had become and go back to them. Very few people must have wanted to turn the clock back more than I.
    But to return to those idyllic days, I remember that evening at Ranelagh which seemed such magic. The pleasure gardens, the river at dusk, the magnificent temple with its painted ceiling, the Rotunda in which could be heard the finest music executed by the greatest musicians throughout the world. Mozart himself had appeared here. I remembered hearing my grandmother talk about that. We sat there entranced, listening to the orchestral music of Handel and Pleyel and the exquisite voice of Signor Torizziani.
    There was a fireworks display of the utmost magnificence when we gazed in wonder at the scintillating rockets as they burst in the air, and were most impressed by the bombshell which exploded to release what looked like myriads of stars and comets.
    “No one would think we were a country at war,” said David sombrely.
    I pressed his hand and answered: “Forget war and everything unpleasant. I am so happy tonight.”
    We took one of the vehicles which was run by the management of Ranelagh to pick up people in various parts of London and bring them with the minimum of discomfort to the pleasure gardens. These were imitation French diligences. I wondered why we imitated the French in so many ways, and they did the same with us, when we seemed to be such natural enemies and even now were at war with each other.
    David always seriously considered my lightly made observations. So he pondered this one all the way from Ranelagh to Hyde Park Corner, where we alighted from the diligence.
    Then he said: “There is an antipathy between our two countries. I think it is because we have so much respect for each other’s skills—both peaceful and warlike—and we are, at heart, afraid of each

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