busy, and he lives too far away. Heâs somewhere in Scotland. Heâs said to be outstandingly good.â
âWhereâs he from?â
âHeâs Scottish, but he was at the Royal Northern with Fred. Won no end of prizes.â
âBut hasnât got anywhere?â
âI wouldnât say that.â She stopped him with a finger. âThey genuinely look forward to his coming, but they dread it. Heâs a terror, and they think they might have got slack while Mahon messed them about.â
âHave they?â
âI doubt it, but thatâs why they donât want ad hoc performances. They need three hard sessions a week. Another thing, Fred thinks youâll be good for them. Youâre not just a scraper. Youâve had professional teaching, but youâre a musician, a cultured man. Youâll keep âem on their toes.â
âCounting my wrong notes.â
âNo, David,â Anna said. âIt might sound flattering, but itâs somewhere near the truth.â
âWhatâs in all this for you?â he asked.
âI like to throw my weight about. Two, Iâm interested in them. Iâm quite interested in you, believe it or not. Iâd like to see if they can make a go of it full time. Itâs likely, even in these hard days. Jim thinks so. And here you are, with a big gap in your life at the right moment, and plenty to offer. Itâs what you need.â
âIâve hardly time to turn round now.â
âThatâs the sort of man to ask, I think.â
They sat silently; she knew when she had said enough.
âItâs tempting,â he said. âLetâs look at your list and see if there are any immovable clashes with the dates in my diary.â
âGood.â She sipped, rose slowly. He let her out of the front door, where he waited. She returned with a battered music case, the leather scarred, one strap broken so that the metal bar dangled loose. âHere you are.â
The first two concerts were strictly classical, Haydn, Mozart, Beethoven, heâd played them at some time, but then Debussy, Bartok, Shostakovich, Britten.
âNo Elliott Carter,â he said. He sat silently again, picking at his chin. âIâd like to have a rehearsal with them, and see then what I think about it.â
âThatâs what I would have suggested. How about Tuesday?â
âRight. They realize I shanât have had any practice?â
âI expect so.â She straightened up. âThatâs it, then. Youâll go to Cy Bartonâs, will you? His address is on the programme.â
âCup of coffee?â he asked.
âYes, thatâll be great. I canât tell you how pleased I am, David. Youâll be good for them.â
âIâm not so sure.â
âIf theyâre going professional, theyâve got to offer something out of the ordinary. You can help.â
As they drank their coffee he felt lassitude as if heâd been out walking all day, but at the same time a certain satisfaction in that he was about to parallel Maryâs venture in New York. Heâd have to abandon serious schoolmastering for a few weeks, as sheâd abandoned husband, home, country, but now he fiercely wanted to do it. If he could come up to scratch, so could his wife. Superstitiously he felt he helped her by taking on this burden.
Anna was chattering; he barely listened. She refused more coffee, said she must go.
âWill James be home?â
âHe was there when I came out.â
âDoing what?â
âReading something. Planning something. Drinking. Heâll be pleased youâve decided as you have.â
She kissed him, and made off into the night.
7
ON THE MORNING of Davidâs first rehearsal with the Trent Quartet, he received a letter from Mary, as did his mother.
The letters, identical in content, varied in tone. Rehearsals were long and tiring; the
Mark Blake
Terry Brooks
John C. Dalglish
Addison Fox
Laurie Mackenzie
Kelli Maine
E.J. Robinson
Joy Nash
James Rouch
Vicki Lockwood