interrupted by the waitress, bringing food for Mickey and Ms. Green and a teapot and cup for me. âSo,â Mickey says. He reaches over and pours me some tea. âWhat have you found so far?â
âI canât discuss it without my clientâs permission,â I say.
âOh, Mickeyâs family,â Ms. Green says. âYou can tell him anything you tell me.â
I sip my tea, enjoying the warmth. My stomach feels fine now. I remember the first time I met Ms. Green, when she came to my office to hire me, and how the nausea had disappeared then too.
I tell Mickey about my trip to Carolynâs old apartment, my visit to the university. Heâs still smiling. Iâm almost certain heâs hiding something, that Ms. Green is wrong to trust him. He seems to feel very little concern for his missing cousin.
He pours me another cup of tea. âWhat do you plan to do now?â he asks.
Itâs a good question. Iâve pretty much run out of leads, but it doesnât do to say so in front of the person paying your salary. I take a sip of tea. âDid you know her husband?â I ask him.
âA little,â he says.
âDid you like him?â
Mickey laughs. âLike him? The boyfriend from Hell?â
âWhy do you think she married him?â
He shrugs.
âThey seem very different,â I say, pushing him.
He pours more tea. I look at the small teapot; it canât possibly hold that much. I lift the lid. It is filled to the brim.
I look up quickly at Mickey. Heâs grinning, as if daring me to confront him. âHow did you do that?â I ask.
âDo what?â he says.
He must have switched teapots somehow, maybe while I was looking at Ms. Green. âGot to fly,â he says. He stands and kisses Ms. Green on the cheek. âIt was good seeing you.â
I watch him go. My earlier suspicions of him become a certainty: he knows something heâs not telling. âIâve got to go too,â I say. I stand and hurry through the restaurant, trying to keep him in sight.
He hasnât gotten that far ahead of me. He turns left out the door and heads east. A few miles farther on is Carolynâs old apartment. I drop back a little, keeping him in sight. Surely he doesnât intend to walk the entire distance.
He continues on for about a mile. The neighborhood slowly changes: the shopfronts here are dingier, and several of them are boarded up. Some of the buildings are painted three or four colors in a vain attempt to cover the graffiti; they look as if they have mange. A man moves to block me, his hand held out. âSpare change?â he asks.
I sidestep him and continue on. Mickey is still in front of me. He is hurrying a little, as if heâs getting closer to his destination.
He comes to a corner. He stops for a moment, as if trying to make up his mind. Then he turns and looks directly at me, grins, and goes right.
I take the corner after him. Iâve never had anyone spot me, never, not in any of the dozens of tails Iâve done. How had he known?
There is no one at all on the street. Grimy warehouses face each other, some protected by corrugated doors or iron gratings, all of them locked. One warehouse has rows of tiny windows on the second floor; about half of them are broken, as if theyâd been the target in some game. Trees with branches like sticks line the street. No one seems to work here.
I walk up and down the street for over an hour, looking for Mickey in likely and unlikely places, but he is gone.
I go back to my office to get Ms. Greenâs phone number. I need Mickeyâs address, need to ask him a few questions.
The phone rings as Iâm paging through my files. I pick it up. âLiz Keller, Private Investigations,â I say.
âLiz?â the voice at the other end asks.
Itâs my mother. I donât need this right now. âWhat?â I say.
âDid you get my
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